Women Talking

In (2023) I managed to see most of the movies nominated for the Best Picture at the Academy Awards. (except ‘Elvis’ – I was never much into Elvis and am not particularly fond of biopics in general.)

That was the year ‘Everything Everywhere All At Once’ won the award.

Sarah Polley’s film ‘Women Talking’ was awarded ‘Best Adapted Screenplay’

I thought it deserved ‘Best Picture’ – at least.

When I saw it at the theater I wept tears from the beginning to the end. I just watched it again on Prime Video, and it had much the same effect, although I was able to draw back just a little bit and appreciate the pure technical perfection of the film. (It won the Movie Of The Year from the American Film Institute.)

No film in my memory has affected me so deeply. I’ve elevated it to my top three favorite films of all time. (It falls between ‘Wings Of Desire’ for its depth, ‘Drive’ for its technical perfection – ‘Women Talking’ has both, and the best acting ensemble I’ve ever witnessed). I haven’t seen a better movie before or since.

Coming into this election and all of the struggles it has brought to the surface, ‘Women Talking’ perfectly exposes the deepest and most universal issues at play in this nation and in the world.

Halas

In the afternoons, following a day grappling with my high school insecurities, I’d stroll down the street from school to visit my friend Bill Halas at his home. Sometimes I’d bike over there in the evenings. Bill’s mother accepted me as an addition to a household that once included a husband and five older siblings. She and Bill, the latecomer, were both avid cooks and gardeners and active readers, sharing sophisticated tastes in music and art. Bill’s father passed away when he was very young, and when I met him his older siblings had long departed the household. Having an extraordinarily precocious and active mind his life had taken a rather solitary trajectory, his mother being the most reliable companion and sometimes his intellectual adversary. My own teenaged life was made unusual by the experience of being recruited for a special government program that took poor kids with high IQ’s out of their normal milieu and sent them to spend the summer living on college campuses. Our friendship flourished. Together we navigated the complexities of a rapidly changing world in the late 60’s, our bond growing from a shared sense of alienation and a drive for mutual discovery.

We met amidst a shifting cultural landscape with war, race riots, and assassinations unfolding in real time on our television screens. Popular culture was shifting radically from the segregated milieu of radio and the movies. Grasping for alternatives, we immersed ourselves in diverse music genres, from jazz to classical to experimental, and engaged in earnest discussions on philosophy and politics. We wandered the city smoking cigarettes rolled with pipe tobacco. We agreed and disagreed on everything. Sometimes we took his mother’s little Honda on road trips across the northern Ohio countryside, making up poetry inspired by highway signs (‘Pass With Care’).

I was the idealist and Bill was the purist, who took everything down to its roots. When I first met him he was experimenting with hydroponics. When he became interested in weaving he built his own loom and wove his own cloth and made his own hats. When he took up photography he began by studying its history, then building his own pinhole camera. Finally, he took up his brother’s old Nikon and developed the photos in his dad’s basement darkroom. My own nature was less grounded, tending toward the pursuit of imaginative utopian speculation and obscure strains of idealistic thinking. I felt compelled to understand the whole of everything, and very path I took led me down side roads, making it difficult to pursue a single course or become a model student.

Bill’s political awareness was way ahead of my own. He travelled to Chicago with his brother in 1968 to demonstrate at the Democratic convention and brought back photos and first hand accounts from the fringes of the police riot that we’d all watched on television. Later in our high school career we conspired with like minded friends to create an alternative journal that we mimeographed at the local anti-war office. We passed out leaflets and marched in circles chanting slogans in downtown Cleveland and attended meetings of a small radical organization led by a retired teacher and veteran of the Lincoln Brigade who fought in the Spanish Civil War.

888

Our friendship endured beyond high school as we pursued separate paths in college, delving into alternative communities and exploring the back-to-the-land movement. Bill’s quest for self-sufficiency and my search for spiritual revelation led us on distinct journeys. During those years in the early seventies everything everywhere was in flux and was being questioned, and for both of us the quest took us out of the proscribed path of college and career.

After we’d both left school we got together for a road trip east, tracking down old classmates and exploring alternative possibilities. We proceeded to Boston, where we met a friend of Bill on a sidewalk near Harvard Square. A large expansive figure closely resembling the British actor Peter Ustinov (with a beard), he sold carnations on the street, playing a concertina and disarming prospective customers with a performance that came right out of magical fairytales. We spent that evening at his lodgings in the attic of an unheated and condemned three story house in Roxbury. The next morning we crawled out of our sleeping bags to get breakfast at a nearby cafe. Our appetite for squalor satiated, we made our way out of the city and headed back to the Midwest.

Eventually, after making a long pilgrimage to the West I moved to Denver. Occasionally, while visiting my family back east I’d get together with Bill and he’d demonstrate for me whatever new endeavor had absorbed his interest. Over time these became increasingly esoteric even for my taste, involving dowsing and ley lines evidence for antedeluvian alien carvings left behind in rocks and boulders. He poured over old maps illustrating the mysterious energetic pathways determining the placing of streets and structures in small towns all over Ohio.

Our contacts dwindled over the years, and the last I heard from Bill was through letters filled with further interpretations of ancient artifacts and faces found in the rocks. I’d heard he was in contact with the Edgar Cayce people in Virginia and intended to build his own private settlement on a plot of land that his brother owned in Vermont. After at a year of hearing nothing I found out from his mother that he’d fallen out of communication with everyone. In a last message to his older brother, Bill had mentioned spotting a brown bear on the plot of land. After months of trying to track down his whereabouts the family concluded that he’d disappeared without a trace. For the sake of closure they accepted that he’d probably been eaten by the bear.

I don’t know what really happened to Bill Halas. All I’m sure of is that

All I know is that we shared a moment in time, embarking on uncompromising journeys, determined to face the mysteries of the world, whether in the rocks, the forest, or the primal currents beneath.”

Kerouac Mourns His Cat

I remember the oceans

the waters

the women

the moments filled with friends

every sin

I remember too much

I remember everything

mind twists the moments

Into tales

truth is no companion

no more room left here

for those left behind

loneliness rises like the tides

Trial

I just imbibed two healthy pints of Scotch Ale, a small handful of psychedelic mushrooms and a chunk of potent marijuana brownie…while printing 32 greeting cards so that I can replenish my rack at the grocery store and contribute to my gasoline fund for future trips into the present.

I’m hoping that some combination of the above will somehow blast me out of a sense of helplessness in the face of all the craziness and suffering, although I know it’s not really my responsibility and that I’ve done my part to advance this whole contraption…

I’ve been watching VICE NEWS documentaries looking into the darkest corners of the world, watching ‘Severance’ and ‘The Man Who Fell To Earth’, reading a Jonathan Franzen novel about a Christian youth group and reliving so many moments in the deep past in order to write about them, and writing about them, and wondering if this voluntary isolation from all the world matters anything at all.

I can only bear witness:

“This happened…this is what I felt.”

Endless Grief

Grief is an ocean. It comes to us in waves, every wave possessing a different character and momentum. This is an ocean we all live in from the moment of our birth. The grief of a child is easy to see; in growing up we learn to hide our grief beneath an endless variety of disguises. We weep, we are depressed, we stare at the walls or create art. Some of us learn to project our grief on others in the form of hatred and prejudice. Some of us seek redemption through power and influence. Some become saints and some become monsters.

We’re often told that we can ‘get through it,’ and once we manage to do so the grief will no longer dominate our lives.

I can locate two points in my life where the waves peaked. I was torn between total numbing withdrawal and the painful and cathartic release of the deepest pain. My freedom from the struggle came in the act of unrestrained weeping. Both events were in response to the loss of someone very close and dear to me, one was mostly due to my own regrettable choices and one was a suicide.

This past year I spent mostly in bed or on the couch fighting the onset of cancer (if ‘fighting’ is the proper word). My main occupation, besides taking drugs for sleep and pain, finding new ways to eat, and showing up for chemo, was reading esoteric fiction and Doctor Strange comic books going back to the early sixties. I watched old Star Trek episodes on Netflix and made cannabis tea. My strategy in dealing with the loss of function was partly nostalgic and partly a form of pure escape. It stifled the sense of passing time that was leading me toward some mysterious ending.

I was given a reprieve. Time returned me from a state of suspended possibilities, bringing me new opportunities for choices and a chance to reflect upon my interrupted journey. Release from work and the need to meet schedules set by others put me on a bridge between regret and hopefulness. I’d survived for now but had lost a degree of functionality. It left me with no certainty about where I was headed or where I wanted to land.

It left me reeling between feelings of almost absolute freedom and a deep conviction of failure and incompetence. When I finally arose from my time upon the couch, I faced an altered world. The peak of the worldwide pandemic coincided with the height of my own illness. Everything was changed. The undercurrents of grief and anger had risen to the surface. Everyone appeared to be traumatized in some way. Businesses were closed; streets were full of the homeless and hospitals full of the dying. Nearly everyone now is masked in public, while hidden emotions and collective resentments force their way toward the surface. Politics have split the nation into warring factions, to a degree that the basis of trust that makes a functioning society possible is seriously, and perhaps irrevocably, frayed.

Grief appears to be everywhere.

In spite of all of this I forced myself to climb out of the hole of indecision and aimlessness that had ruled my existence through a year of trauma. I resumed the discipline of sitting every morning in meditation, observing my mind in a mirror. I witnessed the ghosts and demons of repetitive patterns that carry me through both hope and despair. Gradually my life regained a sense of direction and purpose that informed my daily routine of waking, sitting, reading, listening to podcasts while making breakfast, then making the time to write or to practice photography. A feeling of freedom began to ascend over thoughts of self-hatred and despair.

In the ocean in which we swim only change is certain.

A couple of weeks ago I opened a series of doorways into computer hell. I automatically upgraded my computer to the latest operating system software without thinking very much about it. After the upgrade the application in which I did the organizing, processing and printing of my photographs simply ceased to function. Nothing I tried solved the problem. No help was available from either the software provider or the computer maker. The advice of these massive corporations was to wait a month or two until they managed to coordinate with one another.

My forward motion was brought fully to a halt as I spent many hours desperately seeking help online. Instructions provided by people having similar problems not only didn’t work, but their results forced me to take the whole mess to a professional technician. He first encountered the same problems I did, but eventually a workaround was found that not only cost me a lot of cash, but also led to the irrecoverable loss of a good chunk of historical data.

I found myself once again floundering in the waves. I felt incompetent and helpless, angry and depressed in turn. I couldn’t find the inspiration to write while obsessing on the problem. My feelings began to bleed into my relationship with the world of other people. Friends who could see my distress offered well-meaning advice, and the advice was angrily rejected. I felt that I was on my own, that there was no help to be had, that every choice I made led to worse problems. My anger was petty and mean and an expression of accumulated grief for the loss of relationships, the community of work, my bodily functions, and as much as anything the loss of the world I’d grown accustomed to living in.

I’m now in recovery mode, sorting through this relatively minor wreckage, and yet I feel some kinship with those who experience the aftermath of flooding, fires, earthquakes and economic collapse and have to rebuild their lives from the ground up. Although small in comparison, my problems evoke reactions based on far more than the event in itself. I carry with me the sense of everything I’ve personally lost and gained, as well as the victories and losses experienced by people all around me.

In the West we worship our individuality as if it were a Holy Grail, but it’s mostly a fiction. As much as we isolate ourselves and our feelings from others, we are inescapably social beings who share together both joy and pain, immersed in the currents that surround us.

Here I stew alone in my ‘laboratory’, surrounded by computers, camera, iPhone and streaming television, struggling to find my own voice through all of this. The place is small, two rooms with a kitchen alcove and a tiny bathroom. Every move in the past decade has seen me downsizing, sorting through every object that has a story, deciding which to let go. There’s little room in here to live in the past, so I’m forced to live somewhat ruthlessly in the present. Although I stay up on the affairs of my country and of the world, I’m growing more of a protective shell to separate my feelings from the emotional maelstroms provoked by our collective struggles. I often fail. The struggles continue and will never end, but their weight is never mine to carry alone.

Loss is a given, grief is forever, and I swim in the same ocean as all of you. We can’t stop the storms that are coming, but maybe we can learn to swim with the tides.

Klick!! Klack!!

Milwaukee Art Museum

Listen to the sound of tree limbs clashing deep in the primeval forest. ‘Klick!’ – It’s Doctor Strange on the offense, striving – ‘Klack!’ – to drive off the nefarious mystical spell castings of Baron von Mordo. My brother and me among the giant virgin pines in a Pennsylvania forest in 1963, acting out our favorite comic book fantasies as our parents set up our overnight camp. In those days we played at adventure and wandered magical worlds that are always open to imaginative travelers and children. Our family roamed the highways from Cleveland and the Midwest, circling the Great Lakes into Canada and driving south to Florida and east to Maine and the coast and along Appalachian ridges. We stopped at ocean beaches, floated in ‘glass bottom boats’ among the Everglades, gazed across rural landscapes from high mountain perches, peered up at the tall canyons of Manhattan and took in the futuristic wonders of the New York World’s Fair in 1965.

Growing up in the shadow of World War, I remember military aircraft flying in formation over the neighborhood when I was very young. Every Sunday we drove past an enormous parking lot filled with surplus tanks parked in the General Motors lot on our way to church. The weeks were punctuated by air raid sirens and school was interrupted by ‘duck and cover’ drills designed to stimulate the vivid nightmares of those of us who could contemplate the final fate of humankind.

An older boy who lived down the block kept pigeons in a coop on his upstairs back porch. The pigeons would circle over our houses every day. We kept a turtle in the back yard that our grandparents brought back from the road on one of their exotic yearly trips to California. This was before the Interstates were built, and the turtles were found crossing the two lane highways that made America interesting. In the winter the turtle would dig a hole in its little enclosure in which to hibernate. Every spring we anxiously awaited the resurfacing, coaxing the displaced beast with offerings of earthworms. Sometimes the turtle wouldn’t appear and that year our grandparents would bring us another.

My mother told me stories late in life about my very early childhood as an infant caught in the midst of a rivalry for attention between her and my grandmother, her mother-in-law. I carry almost no conscious recollections from those very early days when my parents shared a house with my grandparents. I have one dim memory of being pushed in a baby carriage by a very nice young woman who was my babysitter. She died of leukemia when still a teenager. Perhaps this was my first taste of grief. It could be that my mother only told me these stories in dreams. Maybe I’ve mixed up her stories with those of other relatives who are long gone.

The house I remember growing up in was located in an older part of town across the street from my great grandmother’s large corner dwelling. I spent hours upstairs in her kitchen, drinking coffee tempered with evaporated milk, listening to her tales of coming to America from the old country with her brothers early in the century. They opened a butcher shop in the neighborhood, when that part of the city was still mostly rural, the streets mostly dirt, yet to be covered in red bricks and later with asphalt when I was a teenager. There was still a butcher shop on the corner downstairs in the front of the large house, run by another family at the time. The large back yard was full of fruit trees and flower beds that my family would help her maintain. Just outside of the second story kitchen windows was a cherry tree that became the centerpiece of every summer when we climbed and picked the ripe and sour cherries. My younger brother fell from it one year and broke his leg, spending the remainder of that summer as an invalid perched in a bed that was set in our narrow downstairs dining room.

When I’ve gone back recently to visit the old neighborhood our old house still stands, in the very center of the block, slightly raised above the neighbors, and incredibly small. It’s hard to believe that four kids and two adults occupied that space for so many years, while my mother dreamed of the suburbs and argued with my father, who always hesitated, not one to take chances risks. Only after I had moved on into my independent life and my father died of lung cancer did my mother finally make the move that she dreamed of.


An Oldsmobile Vista Cruiser careens through the night along the rural roads of northern Ohio carrying three boys, almost men, probably stoned or drunk on something, composing poems out of the romantic words on road signs; “Pass With Care”, “Soft Shoulders”, “Narrow Curves.” The car was borrowed from someone’s parents. With the windows wide open and the moist breezes of northern forests wafting over us, we exulted in our futures and the promising scents of freedom and all things that grow.

I left home with a cloth sleeping bag slung by a rope over my shoulders, on my back my uncle’s old Korean War rucksack, the ‘Whole Earth Catalog’ and an ‘Oxford Annotated Bible’ from my college years, a change of clothes and a few sandwiches and provisions stuffed inside. I’d spent three and a half years at a prestigious institution (Case Western Reserve University), learning much and experiencing much during years of upheaval (1968-1972) and finally left after my number came up late in the lottery for the draft. The experiences I had were mostly outside of classes that were interesting but appeared rather irrelevant at the time.

I said farewell to my mother (my father was at work) and walked down to the embankment alongside the brand new interstate. (As a teenager I’d watched it tear through my neighborhood several years before. We’d watched the bulldozers turn my best friend’s house into a pile of broken pieces, set fires to excavated piles of discarded brush, fought snow battles in abandoned dwellings, stalked and vandalized the huge road builders in the middle of the night.) I put out my thumb and was subsequently propelled across the whole wide land, to Colorado and California and up the West Coast through to Oregon and Washington to Canada, across the Rockies and the great wide flat northern plains and along the pebble beaches of Lake Michigan and back toward Cleveland. (My dad drove out from Cleveland to meet me and we had a glass of wine together in Ann Arbor. Between that meeting and my later departure toward the beaches of Florida I felt our connection deepen as we had grown beyond our frequent ideological conflicts over the war and he had come to acknowledge me as an adult.) I was young during my travels and learned very little, but I took it all in with a feeling of constant awe, collecting inside of me a map of memories, of North America and so many of the people that drift within it.


After all of these travels and all of these adventures, where have I arrived? Who and what am I exactly? Where do I live in relation to the boundaries between order and chaos? Am I descended from the sweet young boy that I see in an old picture feeding the gentle deer at a petting zoo? Am I the instigator of plots to vandalize the enormous machines that cut their way through my neighborhood to build the Interstate? Am I the respectful Zen practitioner bowing before his teacher, or the smartass student telling the President of the University approaching a student occupied ROTC building that I was a ‘gargoyle’ guarding the doors? Do I prefer to wander along the edges of civilization where artists and pirates, nomads, shamans and assassins are created?

I passionately defend what I believe in but hold all beliefs lightly. I welcome the challenge of argument. I’ve always been a terrible student, unable to stick with a specific teacher or any specialized program for very long. My mind is both expansive and contrarian, drawn to whatever knowledge threatens to challenge the prevailing view. Learning for me is a labor to fit what is novel into the larger pattern of what is known. Having found an accommodation between them my intellect has to move on. I’m open to all possibilities and apply equal amounts of skepticism and belief to anything that opens the doors to new encounters. I absolutely won’t tolerate the tunnel vision that substitutes repetitive memes of ideology for actual thinking and I avoid such as I would a reeking mound of decaying garbage.

I’ve been called ‘narcissistic.’ Perhaps anyone who parades their thoughts in public is a bit narcissistic, presuming to believe that anyone else would be interested in them. In a world of so much diversity and argument one has to be a bit narcissistic in order to call attention to oneself.

I’ve also been accused of being terribly judgmental and even intolerant. I believe that the good of the whole transcends the good of the few, but that the few have the absolute right to speak and I have the absolute right not to listen. I can’t decide for others the difference between right and wrong, true and false, sense and nonsense, but I reserve the right to exclude from my presence those who insist on unquestionable absolutes.

Also true is that I possess an undercurrent of terrible anger, passed down to me through generations of injustice, unkindness and the undercurrents of loving abuse. My primary struggle in this life is against being governed by the rage, instead using it as a barometer that fuels a kind of hypersensitivity and compulsion to expose the undercurrents of lies and tension encountered in the environment around me. This has lead to the most profound progress and the deepest damages in my life. It’s a catalyst that moves me from states of stasis to states of movement and change. For those around me and the collectives and organizations in which I participate it uncovers the cauldron, and my passion provides some of the fire and the heat.


My most influential teachers have been the cities I’ve lived in. Cleveland taught me that I could swim against the strongest tides of family, of religious and societal expectations, of powerful and destructive establishments, of accepted reality itself. In Cleveland I first walked through the doors of perception to glimpse the hidden schematics of the brain and its relation to the universe. Denver taught me about the irrefutable strength of collective will and how it can be activated, directed and abused by effective and charismatic voices. In Denver I learned about the secrets of leadership and it’s ability to channel the collective will. Since coming to Santa Fe I’ve learned to approach the world with a larger degree of skepticism and to examine every belief carefully before confusing it with ‘truth’.

In Santa Fe I’ve lived for 35 years, longer than anywhere else. Here all the previous lessons and teachings have coalesced, as I’ve been brought repeatedly face to face with myself and my shadows. Through two marriages, the raising of a child, my interaction with organizational structures both large and small, and in my most recent confrontations with cancer, disunity and extended solitude, I’ve come to view myself more clearly in all of my urgent creative and destructive glory. In the process I’ve gained and lost friends, loved and tormented myself and others, tasted the mechanics and powers of leadership and the dynamics of failure, and come to understand and accept the role I’m here to play.

Through all of this I’ve learned the deepest lesson of real magic; that it’s primary fuel is the human will. How, like the mysterious force of gravity it can bend and reshape the contours of the universe in strange and subtle ways. I’ve arrived after all these years at the boundaries of a world of perception that my comic book hero would find familiar.

Klick! Klack!>


In these days there’s a growing atmosphere that breeds bad mojo – bad magic born out of magical thinking, along with an army of con artists who thrive on fear and fantasy. It feels increasingly like the universe of Doctor Strange, where delusions and demonic forces constantly seek to break through and disrupt all sense of order, enslaving the populace to chaotic forces by encouraging their worst tendencies. In the process those whose greed for power compels them to pull the strings strive to gather more influence to themselves, using the maze of politics to entrap our best collective intentions.

I’ve long observed that the rules of our politics are almost identical to those of magic, both being forms of a somewhat occult practice of weaving spells of language intended to influence and manipulate perception and reality. The tools and technologies are the same, revolving around the language of signs and symbols, fueled by elements of human desire, collective will and the necessity of belief. Neither practice is inherently good or evil, although both magic and politics are concerned with an accumulation of power, and there are inherent dangers in such pursuit. The division between our intentions toward compassionate and self serving ends can become very cloudy when certain rules and cautions aren’t respected.

When battling demons or conjuring new possibilities it’s important to remember that no matter what we do or what we intend, the rule is that any consequences, intended or not, will inevitably come back to us. (This is the rule of karma.) It’s also important to realize that those around us, even our ‘enemies’, are mirrors, and we must strive to show them the same compassion we have for ourselves. It’s most important when exercising power to stay awake, to remember where we are and what is our intention. Aside from these three, all other rules are subject to change at any time and it’s a wild and utterly changeable reality out there.

Ultimately the barriers to our imagination and our creativity will continue to be thrown open. The more they open the faster we must collectively adapt to the changes entailed by new technologies and new ways of thinking and perceiving. I’m optimistic that we will ultimately succeed and survive, only because we always have up to this point.

Meanwhile we drift, moving across worlds of fantasy through the outer space of our imaginations, with David Bowie’s song ‘Life On Mars’ rising behind us, the cold star-flecked blue screen backgrounds making us feel contained within a dark velvet sparkling blanket of the infinite. We travel through imaginary light-years, our sense of security wrapped and belted within capsuled contraptions, religions, ideologies and conspiracy theories, breathing through failing apparatus, imagining new colors and new planets in the dark. At this point we require more than a destination. We need redemption and forgiveness for one another. I know there’s better light far ahead, but I don’t know what remains to be seen. When truth has been abandoned to illusion its anyone’s guess what will survive when daylight comes.


Evolution never passes at a familiarly comfortable rate. The entire world can leap forward in an instant, or else changes take decades and centuries longer than human memory can track. If my great grandmother, who told me stories over the kitchen table, were transported to the present a good part of her sensory apparatus would no doubt go into shock, able only to process small quantities of totally unfamiliar data at a time.

Evolution doesn’t stop for us or for any other part of this ever changing universe, or for anything on this infinitesimal pebble we call the earth. Energy becomes matter, matter becomes atoms and atoms molecules. Molecules evolve to become the elements and elements combine to become life. Life goes through billions of years of creation and extinction, followed by resurrection, and so it goes, over and again. Evolution in matter becomes evolution in biology, plants and creatures emerge out of the earth and perish in amazing spectacles of life, struggling through extremes of hot and cold and countless changes.

Various proposals have been made for the start date of a geological epoch called the Anthropocene, which marks the significant impact of human culture on geologic ecosystems. Some proposals date this as far back as 12 – 16,000 years and the birth of agriculture, and others to the rise of the industrial revolution in the last century. I believe both of these views to be extremely short sighted.

About six million years ago, at the end of the Miocene, heading toward the ice ages, appear the hominins, our most ancient biological tribe, largely defined by the length of our legs being greater than that of our arms as we began to walk upright. While the biosphere was coming to resemble what exists today our ancestors struggled to come to terms with their expanding brains until, age after age, we arrived in our present form of homo sapien around 315,000 years ago, and evolution at long last crossed a critical threshold. While biological evolution proceeded in obscure niches and mostly through extinction, life entered a new phase, one that can no longer be adequately comprehended outside of the mental space of the self-reflective human mind.

Human beings have taken evolution in a new direction, possibly beginning with the emergence of the first tribes and the creation of the first cultural artifacts. When we began to shape the objects around us to reflect the images that appeared in our minds, we moved beyond the instinctive collectivity of the insect colony, the herd and the protective hunting community and began to consciously and deliberately reshape the world around us in our own image. Human evolution can’t be understood in strictly biological terms, for it occurs within the complex interface between the self-conscious individual and the ever changing forms of the collective. Humans are artisans of culture.

What’s become evident in our time is the pervasive effect of our evolutionary process on the atmospheric and geologic environment that surrounds us. It’s becoming obvious that human culture is now the dominant influence in the ecosphere, as our collective decision making largely determines what will perish and what will survive on our world. We are the caretakers and the destroyers. The dialogue between the individual and the collective has come to fully govern the dialogue between human civilization and the natural world. In the end, nature itself becomes, in effect, a human artifact.

Evolution is generally depicted in visual models as a vertical structure, where simplicity advances through complexity, leading to ‘higher’ developments along a continuum of molecules, organisms, species, etc. The focus of evolutionary theory in biology is on the structure and development viewed through the lens of individual organisms or species. Human evolution is no longer determined by individual divergence and biological mutation, but by collective structures and behaviors in which the uniqueness of the individual can’t be separated from the circumstances and influences of the social construct of which they are a part. The visual depiction of this structure could be more appropriately horizontal, characterized by recurring themes that arise periodically along a timeline, then disappear, only to arise again and again amid novel historical contexts, their ‘permanent’ influence determined by the qualities of the interchange and the impressions left in a particular time and place.

There is a quality of ‘eternal return’ in the unfolding of human societies. It’s as if the species is on a quest to replicate externally hidden structures already present in human consciousness in order to perfect them within the contexts of ever new levels of social organization. In light of this I recommend pulling back from the insanities of the present to take a long view toward the possible future.

We are stardust

We are golden

And we’ve got to get ourselves

Back to the garden.

⁃ ‘Woodstock’ Joni Mitchell


AN INVITATION

My Publishing Career

When I was in elementary school I was given for Christmas a small printing press  that could make stuff the size of business cards or raffle tickets. I started a number of membership organizations among my classmates that could be activated simply by asking for a card: ‘The Hoppity Hooper” Fan Club,’ ‘The Rocky and Bullwinkle Fan Club,’ and our final, three color masterpiece, a membership in ‘Camp Palumbo’ along with a small certificate of the official currency, the ‘Pazzuza.’ 

Later on my neighborhood friends and I, all bing in the same Boy Scout Troop, would take each issue of the Official Boy Scout Magazine paste in alternative headlines and captions cut out of other publications and turn Boys Life into what we thought was a hysterically funny parody inspired by Mad Magazine, a publication we really took seriously.   

In high school, myself and my high-minded friends published and repeatedly got in trouble for a series of independent journals printed via mimeograph machine and silk screen press at our local Peace Movement Offices. I continued this though college and after, until moving to Santa Fe, when I got a bit more seriously embedded in the writer’s world. 

In 1984, after attempting to convert reams of handwritten notes, poetry, short stories and essays into a publishable form into typewritten documents (a frustrating process) I took a class in the new Word Processing technology at the local community college. About midway through the course the teach came into class entranced by the release of the first Apple Macintosh computer. I don’t remember what he said but his trance was somehow infectious, and before the end of the year I’d acquired my own machine and the accompanying laser printer.

For a number of years I published articles and reviews in ‘The Journal for Humanistic Psychology,’ ‘Annals of The Earth’ and ‘Shaman’s Drum’ magazine. 911 happened. I was not particularly surprised that it happened but that didn’t make me less angry. So, I started a blog, called ‘The Arclist,’ which continued view email and website for the next 20 years. After the 2016 election the list pretty much was reduced with short headline introductions to various news and resistance links and very little else. Meanwhile the host site and software became contaminated and obsolete and harder to manage, until a couple of weeks ago I decided to abandon the list in email form and rethink the whole thing. 

I was diagnosed with cancer. This marked an opportunity to rethink everything. I went though my existing contact list and entered them into another email client service that I’d learned to navigate through as a business application. More up to date and flexible and easier to manage in creative ways, I’d like to take advantage of this by setting up a new version of the Arclist, more in the tradition of a Journal that accommodates creative ideas, creative projects and creative discussions between interested folks. I think we are all somewhat anxious to move beyond obsessive focus on the disasters of this past year and turn our attention to future possibilities. Perhaps this could provide an opportunity.

I have a list of names that I’ve gleaned from my contact list. Many of you were part of the previous mailing list or were listed as a ‘friend’ on my Facebook page. Some of you might have gone away for any number of reasons. Some of you may not wish to hear from me ever again. Before engaging the new list I want to send a formal invitation for you to respond, either positively of negatively, and I will then formally activate or delete your membership. If your answer is ‘YES,’ and I hope it is, I will begin sending out my creations, or forwarding others, on some semi-regular basis.

Meanwhile, I’ve attached to this invitation a sampling of the sort of stuff you might expect to receive on the New ARCLIST. Should you wish to subscribe and get the material on this site in our email just send a reply to remelcher@arclist.com, or leave a Reply at the bottom of this page.    


My Favorite Podcasts (Current) 12/13/20

Not included are podcasts I’ve favored In the past but I’m no longer following regularly (this American Life, Masters of Scale) or podcasts that were short form or serialized or no longer being produced (‘Studio 360,’ ‘The Ballad of Billy Balls’). By ‘current’ I only mean current, and this list will continue to shift from day to day as I get turned on to new podcasts.

History

Throughline

One of NPR’s Most Popular Daytime Shows, this hour long documentary style delves into all of the corners of history we are never/rarely taught in school. To fully understand the present events in the context of historical realities the show is unmatched. The two hosts are from first and second generation Iranian and Palestinian families, which may give a clue  to the unique depth of their approach to telling stories.

The United States of Anxiety

A little scary but enlightening as it focuses on the areas in American history that indicate the conflicts that have split the body politic from the beginnings of the USA.

This Day in Esoteric Political History

Somewhat oddly named, focusing each day on a single event (many of which I’d never heard of) at a particular moment in American History, a lively and educated discussion of the event’s historical environment and its influence and indications in the present.

Politics

Hacks On Tap

Political strategists from both sides of the ‘aisle’ toss around their critiques and projections about both parties. Anchored by David Axelrod (Democrat) and Mike Murphy (very ‘anti-Trump’ Republican), with a variety of chummy guests, the analysis is delivered with a good deal of humor and real ‘insider’ knowledge of how political campaigns actually work.

FiveThirtyEight

I’ve been listening to these guys since 2015. A relief from the general alarmist nature of political news and analysis. Sometimes a bit over-the-top ‘wonky,’ I favor 538 for a strictly data-based view of political realities balanced by a crew of mostly contrarians in one form or another. I simply like these guys. As I was about to write this review, unfortunately the departure of Clare Malone is a great loss. Relative newcomer Harry Bacon Junior has brought a similar contrarian sensibility and a much needed black perspective to the panel, Malone brought an equally important feminist and Midwestern (Ohio) perspective. 

The Ticket

One of the better interview shows from The Atlantic. Host Isaac Dovere chooses subjects that are generally slightly out of the mainstream news but closer to actual events. Always new information and insights.

The Axe Files

Long form, one hour interviews of a range of public figures, illuminating their biographies and focusing on their positions in regards to contemporary politics. David Axelrod, currently head of The U. Of Chicago School of Politics and once Obama’s chief campaign adviser, is relentless in his ability to get beyond easy rhetoric to the true nature and personality of his guests.

Amicus

A bit alarmist in the ‘Slate’ style this is the best way to keep up with the arguments, decisions and implications for the future of the Judicial branch of government.

Intelligence Squared

Both sides of every question, thoroughly and respectfully debated. Particularly helpful to those in the habit of considering the ‘other side’ to be totally without brains or merit. (Note: This applies only to arguments that actually apply when a et of common facts are agreed upon.) 

Reporting

The Daily

The New York Times, in its breadth and depth of coverage is still at the top of the media heap. This podcast offers a sampling every morning, with a single news story or interview and a short headline summary. On Sunday an archived ‘feature story’ is read in entirety. I highly recommend checking out the Dec. 6th edition: “The Social Life of Trees.” 

Global News Podcast – BBC

I start the day with this one, as the focus isn’t obsessively on America and it’s ridiculous politics, it’s coverage is delivered with an almost universally cheerful, or at least less apocalyptic stance. Given all of the ‘Brexit’ angst in Briton these days, I suppose several hundred years more of living history kind of levels out ones perspective on the present.

The New Yorker Radio Hour

I wasn’t sure just where to place this since the coverage is as much news as it is cultural commentary. I decided that since the coverage is essentially ‘journalistic’ in approach, this fits.

Business/Journalism

Pivot

Two of the most knowledgeable people on the fringes of Big Tech, Kara Swisher and Scott Galloway make a ‘perfect couple’ with their insights into current and future trends in business, investing and the politics around technical innovation and culture. Punctuated by personal banter and good natured kidding these two have been going at it for a couple of years of successful and popular podcasting. Swisher, the journalist, keeps things on track while almost cagily draws out brilliant insights from Scott, the NYU business professor and investor. Guests are featured with back and forth interviews by both Kara and Scott.

The Professor G Show

Scott Galloway’s own podcast (see above), where he calms down while proving himself a capable interviewer, while giving himself some time to deliver, John Oliver style, some incredibly insightful, critical, and sometimes inspiring ranting about ethics in politics and business.

Sway

Kara Swisher’s new interview show from The New York Times where she is featured as a regular Opinion columnist. The NYT is managing a very successful and profitable switch into the digital medium. Swisher is a digital candidate for the Maureen Dowd chair of journalism. Her interviews so far have included a diversity of subjects (from Dowd herself to Hillary Clinton to Jane Goodall).

Science

New Scientist Weekly

Friendly, British, delivered with a touch of humor, the most up-to-date international coverage of the scientific progress on Covid-19, and the latest questions and discoveries in scientific research.

Philosophy

Hi-Phi Nation

Philosophy revealed through contemporary storytelling and interviews that reveal in our present dilemmas their deep roots in philosophical discourse. A uniquely illuminating approach and my ‘great discovery’ of the month.

Into the Zone

An original approach to ideas and storytelling from novelist Haru Kunzru, who focuses on how ‘opposites’ shape our world. While founded in stories from the ‘real’ world Kunzru’s approach is delightfully filled with literary twists and turns and metaphor. I was turned on to him in an interview with ‘The Book Review’ podcast (see below).

Storytelling/Literature

The New Yorker Fiction

I’ve been listening to this podcast for more than 10 years. It’s one of my main links to the world of short fiction. A writer each month gets to choose one of their favorite stories from another writer in the archive and to read it out loud. Afterwards the author/reader discusses the story with Fiction Editor Deborah Treisman, focusing on how the story inspired and influenced them.

Imaginary Worlds

Being a heavily invested fantasy, sci-fi and comic book geek, how could I miss this one. ‘How we create Imaginary World and why we suspend our disbelief.  ‘Nuff said!

The Book Review

From the New York Times Book Review, but less intimidating. It features author interviews plus short discussions and reviews of some of the latest books out on the shelf.

Poetry Off The Shelf

A refreshing break into the dimensions of pure sound and word. Poems are read, interviews and analysis are delivered. A little Poetry Magazine online.

Humor

Beef and Dairy Podcast Network

I cannot really desgribe this to you. It’s British and hllarious. Every episode begins nearthe absurd nand then carries one beyond…

Mission To Zyxx

By now an old stand-by for fans of imprvisational humor, sci-fi and those with a need to fill the void between space-based intergalactic blockbusters.

Stretching

I’ve in the last week picked up a copy of a book composed by Timothy Leary and associates back in 1994, two years before Leary’s death in 1996, and around the time when I was imbedded in the post-psychedelic New Age culture of art and speculation that nested in and around Santa Fe, New Mexico. I’d actually passed by Doctor Tim in person as he toured as guest speaker and celebrity for some sort of exploratory consciousness fair that took place at the city’s main Convention Center.

I am certainly no stranger to Leary’s thought and his writings. From the time when he was advocating from an eminent platform at Harvard for boundary breaking explorations of consciousness via LSD and Psylocibn, to the time when I spent days trying to process my own headlong perceptual journeys out to the boundaries of consciousness and beyond. I travelled along parallel paths while Leary made his way through prison and exile and paranoia and the trials that came along with pop stardom and self deification.

When I walked into my dormitory room at Case Western Reserve one night, getting off on some form of chemically induced revery I heard Leary’s voice come over the radio, telling me to, “Sit down Ralph.” He then took me on a guided verbal tour of my brain, the universe and the whole history of human DNA. It turns out that the ‘Ralph’ in the recording, played that night over the student station was of Leary at Harvard conducting an LSD session with one of his grad students, Ralph Metzner. I didn’t learn this until years later, and in the meanwhile carried it around with me like the inner knowledge of some secret synchronistic initiation, a mystery for which I sought no further solution.

The book I’m reading is one I wasn’t particularly familiar with, lent to me by a friend. It’s called “Chaos & Cyber Culture.” By 1994 Leary as visionary prophet had been largely discredited by both popular and serious academic culture. He had spent time in prison, in Europe and in North Africa, in flight from the American police, hobnobbing with revolutionary elites and movie stars and science fiction writers, hounded by governments and ideologues of the Left and the Right. The 60’s dream of storming the barricades of capitalist/consumer culture had long ago faded or been absorbed and replaced by the high octane quest for new meaning and new wealth accelerated by revolutions in technology and communication.

Society was itself going through the initial stages of the sort of destabilization one encounters on an acid trip. Timothy Leary, along with many former prophets and outlaws and explorers were now mere flotsam in massively circulating currents of change. He was gone before the currents would peak and then break into fading fragments after September of 2001.

The book is a collection of words and images splattered across pages designed in the mode of a psychedelic version of The Whole Earth Catalog. There are dozens of typefaces in all sizes floating in the form of giant quotes and poster graphics and images from the past and the future. There are interviews and conversations with the likes of William Gibson and William Burroughs and David Byrne and all sorts of artifacts assembled around a political documentary and summary of sorts of Leary’s broad visions of past, present and possible future.

Other than in worlds of extreme science fiction I haven’t read anything like this in years. Drawing on history, art, mysticism, biology, psychology, computer science and literature, framed with over-the-top optimism regarding the future of civilization and human consciousness, Leary’s vision has no boundaries, and in reading I grow increasingly aware of how much my vision and that of my culture has narrowed over these past four decades. As a nation and as a world we’ve become increasingly ruled by fear and apprehension, which by nature is a narrowing of consciousness to the primitive state of flight or fight that responds robotically to a wider and wider range of stimuli.

We sit in our cocoons of political power and economic anxiety and anticipate the worst. We are a shell-shocked population with eyes and ears open to more and more information but with less ability to integrate it into something that makes sense. We live in a world of chaos, awaiting signs of the next real ‘strange attractor’ that we hope can assemble all of this mess into meaning. We’ve entered a historic and geological period where the shocks come in accelerating waves of war, recession, natural disasters and forced migrations, and our response is to reach out to the person who promises to protect us and shield us and make it all right. Increasingly we realize that the future can’t be controlled by any power wielded by the few for the supposed welfare of the many. Individually we awake once again to the knowledge that the portraits we perceive of the world around us are painted mostly by ourselves.

At first this makes us all feel incredibly alone, until we make an effort to explore and find new ways to make contact with one another, not as crowds or constituents or mobs or armies, but as fully responsible human beings. Our challenge always, is to create entirely new realities for ourselves, through our storytelling and our imagining, that are fluid and adaptable enough to deal with the constant change that our world throws at us. We have the tools to do it, and our task is to awake to our possibilities and to summon the courage to face and dismiss those who would build walls out of our fear.

At Work

At Work

Put yourself in a box,
a tin can,
an official one.

Make lists.
Count inventory.
Walk the aisles,
dreaming art and poetry
only at night
and on weekends.

Watch the light
going out.

Take notes
with a short pencil
on a yellow pad:
“This is where I left my mind,
in this particular section
of this particular warehouse
before it was sold
and eaten.”