October Surprise

I sit in this cafe in Santa Fe drinking my coffee and reading about the approaching hurricane, billed as potentially ‘one of the most destructive hurricanes on record for West-Central Florida.’ I open the MAPS app on my phone and enter St. Petersburg, Florida, zeroing in on the strip of barrier island beaches along the Gulf of Mexico, until I find the section called Treasure Island. I scan the shoreline to see if there’s anything I might recognize from the time I lived there in 1972. Outside of the main road facing the hotels and resorts it’s hard to imagine that any trace remains of what I knew back then.

Most of Treasure Island at that time was made up of slightly run down motels and beach cottages inhabited by seasonal vacationers, boat people and retirees. In the middle of this were two structures that remained from a previous complex mostly washed away in a previous hurricane. Separated from neighbors by wide strips of beach sand they were inhabited by an odd population standing well apart from the surrounding social fauna. I shared one half of a duplex shack with a high school friend from Cleveland who’d attended college in St. Pete and had taken up with a community of boat builders and maintenance people centered in a nearby boat yard. I was just a year out of college, having dropped out after the Vietnam Draft Lottery missed my number. I’d spent months traveling by thumb all across the western states and through Canada back to the Great Lakes. After working briefly as a dishwasher in the local department store, I left my family in Cleveland, coming to Florida at my friend’s invitation.

A young couple lived on the other side of the duplex. A larger separate dwelling edged closer to the Gulf shore, headquarters for the president of a local motorcycle gang and his occasional guests and associates. ‘Pappy’ is what they called him. His gang, the Pagans, was apparently rather notorious in the region, having carved out territory in competition with a local chapter of the Hell’s Angels. We were young, college educated dropouts that had more in common with Volkswagens than motorcycles. It sounds rather scary, but it worked out quite well all around.

Whenever Pappy’s gang went on extended ‘runs’ to whatever piratical adventures they were engaged in, he asked us to watch over the house and property, and was grateful for our vigilance. When in residence he always treated us respectfully as his neighbors. We assumed his gang’s adventures involved some forms of drug running or other illegal activity, as he appeared to be rather prosperous, if out of place in the neighborhood. He possessed a very nice boat, cars and motorcycles, and had no discernible employment.

The complex appeared to be under regular surveillance by the local cops. Pappy often came out to greet them on their patrols carrying his small pet boa constrictor, the gang’s mascot, around his shoulders. There was often a steady parade of guests in and out of the residence, and when he and other gang members occasionally gathered to drink and party we learned it was wise for us to stay clear. In all other matters, as long haired hippies being also somewhat out of place in the middle of a community of white conservatives, the intimidating presence of Pappy was actually reassuring.

St. Petersburg at the time was divided into distinct social groups. There was the established population of mostly very conservative southern white people. They barely tolerated the presence of a growing insurgent population of young people that orbited various college campuses. A large, mostly segregated black population lived in tightly knit communities along unpaved streets in the semi-rural neighborhoods on the fringes of the city. They worked mostly in municipal service and maintanence jobs, tending the roads and the parks and collecting the trash. On the weekends they gathered in Baptist churches nestled in cozy subtropical tree lined lots.

There was a constant ebb and flow of vacation visitors, spending their money and luxuriating near the beaches or out fishing and sailing on boats and yachts in the Gulf or in the Tampa Bay. Then there were the vagabonds like us, mostly refugees that circulated among all of these groups, taking advantage of the climate and whatever marginal employment that was available.

When I moved south I brought with me a collection of books and articles documenting the decade of political activity that had moved me through high school and then as a college student between 1966 until 1972. Much had come to light in those years for the generation born just after the Second World War. We had been thrown into the first age of television and simultaneously educated through the benefits of the GI Bill and the rough awakening of the Civil Rights and Antiwar movements. The world in those years had been both disorienting and an opening to new possibilities and perspectives.

The so-called progressive environmental movements in those days emerged out of the shock and passions of the sixties toward something more organized and enduring. The seeds had been initially planted by pioneering books like Rachel Carson’s Silent Spring, Scott and Helen Nearing’s Living The Good Life, Paul and Anne Ehrlich’s alarmist The Population Bomb and Stewart Brand’s compilation of alternative resources and philosophies, The Whole Earth Catalog, inspired by the first photographs of the global biosphere taken from space.

I used my time in Florida, while living on the beach, smoking marijuana, listening to music and drinking cheap liquor from the state stores, I reviewed all the currents and options effecting my life. It was sort of a suspended state between the stages of a life as I sought my own path forward in pursuit of a better world.

Sitting beneath the parachute canopy that blew gently in breezes from the Gulf, I watched the sun rise and set over the always restless waters and imagined new possibilities as alternatives to the industrial wilderness I’d grown up in. It seemed possible that humanity would awaken from its nightmare of wasteful conflict and pursue collective survival and the chance for contentment.

I look at the present map of those beaches on my iPhone and see that the roads have all been closed to traffic as the communities have mostly been evacuated. The expected storm surge is predicted to be as high as 15 feet. There have been over 40 tornado warnings so far across the state of Florida, and at least one large tornado has already devastated parts of Fort Myers, south of St. Petersburg, then cut across the Interstate 75. Millions of people are fleeing on roads away from the Gulf and most of the gas stations are out of gas. This has been called a ‘once in a century’ storm, but it follows by barely a week the previous ‘once in a century’ storm. Milton follows Helene, with two more months of hurricane season to go.

When I left Florida I moved to the West with the thought of devoting my life to pursuing possible alternatives in a world drowning in waste and ignorance. Having grasped and accepted a new understanding of history and what we are responsible for, I found it impossible to turn away. Since those times, for more than 60 years, many of us struggled and hoped and achieved a greater clarity of our options. We went from dreaming to innovating. We constructed new technologies to harness our visions. At the same time we watched as the fear of change grew into the fierce backlash of denial that now threatens to throw us backward into the destructive cycles of the past.

I remember the innocent days when the most extreme harshness of the backlash kept us out of bars along the beach because our hair was too long. We were young and arrogant and resilient and we flaunted our sense of pride and indifference. The petty prejudice we encountered we saw as a relic of the past. If at times we felt like strangers in a strange land, we mostly shrugged it off as we faced the future with what we thought was a clear sense of its possibilities.

I remember sailing free over the clear waters that could be both gentle and sometimes overwhelming in its sense of awesome scope and majesty. I remember the fear inspired by lightening and thunder over the distant waves in the night, and the warm currents that caressed my body as I floated beyond the breakers beneath an endless sky. The world moves in crazy currents, just like the wind and the oceans, and we are only human. We navigate the waves and sometimes get caught in the backwash and sometimes we get swept away.

We were so young, and we thought we could reshape the world, just because we believed we could. We threw ourselves on the currents and trusted them to take us to where we needed to be. Hippies, motorcycle gangs, college students, even Christians and communists, believed we could push the whole world toward the good as we released our imaginations and accomplished miracles. But we forgot in our pride that advancing our vision required that we leave no one behind.

I now look at the map and see images of the storm’s advance, I know that the world I remember will be changed beyond recognition, and feel some pity for those forced to flee the wrath of the waters and the wind.

I no longer live near the sea. Where I live these desert heights often seem like a calm island floating above rough weather and the waves upsetting the rest of the world. Looking at my screens with their views of the storm, amid the world’s violence, ignorance and misery, my heart sometimes threatens to turn to stone. I know that, unlike the ocean, stone eventually gets worn away and vanishes to nothing. Once totally open and filled with hope, now I often feel almost empty and ready to blow away in the wind.

Neither time nor history flows backward. The tides and cycles repeat, the days and years pass through darkness and light. Whenever we grow complacent we’re jolted awake. The world and human civilization has passed through many fevers. We’ve survived cataclysms, ice ages, plagues and world wars. Through each cycle the lessons have become more obvious and the stakes have become greater. We learn again and again the lesson that we all share the same small planet and the borders between us are mostly illusions.

“Shut Up and Get Back To Work”

I could only be somewhat amused at U. S. House Speaker Mike Johnson’s performance addressing students and the press at Columbia University, telling them to stop their nonsense and get back to classes. Behind him stood a grinning Elise Stefanik, joining in the act, both performing for stock footage to be used in the upcoming fall campaigns.

It struck me that a major lesson to be taken in a week of escalating campus demonstrations across the world, was the apparent inability of generations in power to learn from history or to avoid repeating the same tactical errors again and again.

For me the events are somewhat nostalgic.

I recall an evening in 1970 when a large part of the student body at Case Western Reserve University gathered in the student union cafeteria to debate a response to the newly launched expansion of the Vietnam War into Cambodia. The meeting was part of an escalation of activity centered that had been building on campuses for many months after events at New York’s Columbia University in March and April of 1968. Partly In response to the war and touched off by resistance to plans for the university to build a segregated gym on the fringes of Harlem, students and ‘outside agitators’ occupied buildings, debated one another, conducted ‘teach-in’ activities and generally obstructed normal college business. Eventually Columbia administrators called in the NYPD, who proceeded to brutally attack the demonstrators, injuring many and arresting over 700 participants. The consequence was an expansion of actions in solidarity driven by organized coordination on campuses all across the country. (Governor Abbot and DeSantis take note)

Listening to the rising militancy of rhetoric in that student union meeting it became obvious to my friend Robert and I that impending action was in he works, and Impatient with all of the talking we headed over to the ROTC building which had emerged as the likely target. Being the first to arrive at the location we took positions seated on both sides of the steps leading to the front doors. Just then a closeted group of middle aged men in suits looking somewhat bewildered and uncertain, apparently summoned from their evening cocktails, approached from across the plaza. Foremost in the group was the University president. He cautiously approached the two of us sitting like quiet Buddha’s on the steps and asked who we were. In a moment of smart ass mutual inspiration we both replied that we were ‘gargoyles’. The president gazed at us blankly for a moment, then turned back to the little group, leading them away into the night. A moment later the large group of students arrived from the irmeeting, marched up to the front door and proceeded to occupy the building for the next few days.

The student movement in those days was responding to an unpopular war and a rising awareness of racial injustice, but it was more than that. We were addressing fundamental questions about the relevance and responsibilities of our educational institutions in addressing inequities in the larger world. In virtually every classroom deep questions were being asked challenging the growing dissonance in times of accelerating change, between what and how we were being taught, and how it related to the outside world. The challenges were made using every conceivable form, from classroom debate to teach-ins and street theater, to poetry and artwork, to obstruction of business as usual. Outside of campus social activism began to explode in the streets. Inmates were taking over the asylums. Before the tide had receded and things returned to a new normal, many changes were made, and in spite of the forces of reaction the social movements of those decades laid foundations for the movements and counter movements we are seeing today.

Societies thrive and advance to the degree that they respond to ever new realities of the present. Intelligent leaders and pioneers must be encouraged to think and to continually question the status quo. Universities are designed to be laboratories for discourse and discussion. Students are ideally trained to be more than receptacles for predigested opinions and established ideologies. The young see the world with fresh eyes that are less tolerant of dogma and hypocrisy, and more willing to take risks and learn from their mistakes. Inexperience and ignorance are to be overcome, but they are not a crime.

When faced with the spectacle of injustice the young are more outspoken and generally feel they have less to loose. Back in the day, when president Richard Nixon held up the ‘silent majority’ of middle America as his standard for patriotism, angry college students were portrayed as irresponsible and out of touch, or else as naive victims of shadowy bands of outside agitators and ‘far left’ college elites. It appears that nothing much has changed in the rhetoric of reaction since those times.

The Mike Johnsons and Elise Stefaniks will always find hooks and divisions upon which to hang their campaigns based on fear and self righteousness. In the sixties the paranoid establishment along with the media exploited tactical squabbles between black and white protestors in order to divide them and pacify dissent. Today the tactic is to label any objections to Israeli military excess and apartheid policies as ‘antisemitic’, even while campus protestors include Jews, Muslims, Christians and people simply appalled at the horrific images seen everyday in the media. In some cases the diversity of participants’ backgrounds and opinions have led to heated disagreement and sharp debate. Irresponsible actors on all sides have at times resorted to harassment and even occasional violence. Some students and teachers have felt alienated and fearful. Never missing an opportunity to fan the passions of a moment, politicians and instigators portray every unfortunate incident as the norm. In fact, the preponderance of violence in nearly every instance has been perpetrated by the forces of law and order.

The gap in life experience between generations raised in the last half of the 20th century and those now coming of age in the 21st is almost unbridgeable. The decades that followed the last World War were characterized by an almost constant state of expansion and innovation. America stood at the center of a global project to build the new world order. Whatever flaws existed in America’s self image were covered over by almost continual economic growth and innovation, low unemployment, low inflation, huge stock dividends and an overlay of conspicuous consumption.

The new century brought an unrelenting succession of national traumas. It began with the dot-com crash and recession in 2001, closely followed by the attack on the World Trade Center. Then followed two decades of war in the Middle East and Afghanistan, a housing crash and the Great Recession of 2007-2009. After brief respite of hope and civility in the Obama years came the daily nightmare of the most ethically challenged presidency in United States history. All of this was interrupted by the worldwide COVID pandemic along with the rapid proliferation of disastrous consequences in the wake of climate change. Finally the Russian invasion of Ukraine and the war in Israel have brought about the most destabilizing global situations since the Cold War.

My generation was the first raised on television and under the threat of nuclear holocaust. Almost from birth we were exposed to images of war and mayhem in foreign lands running counter to the idealization of America’s self-image. The moral pontification propagated in our churches and schools and in the mainstream media became increasingly detached from the reality of people’s lives. We were told that all of the ‘bad’ people and situations were somewhere else. By the time we arrived at college our view of American exceptionalism had changed dramatically from that of our parents. They’d suffered through the horrors and triumphs of a World War, in which the very foundations of democracy had been nearly defeated by the forces of totalitarianism. We were summoned instead to serve and support a futile war against a small foreign nation while watching on our daily screens our cities catching fire, our most admired leaders being assassinated, and our sons and brothers killed in the jungles and brutalized on the streets. We questioned, and then we rebelled.

Not only is the current cohort of college age students much more diverse than it was in the sixties, it’s a generation that’s experienced first hand the cracks in the foundations of the American dream widening almost beyond repair. Our established institutions appear to languish in denial. Justice has been challenged and has failed repeatedly. The truth is continually subverted by lies and fantasies. Freedoms that have been won through centuries of struggle are being discarded while the very survival of civilization is threatened by changes in the weather. Our political institutions appear inadequate or unwilling to address these situations in any meaningful way.

The campus movements of the sixties culminated in the execution of four students by the Ohio National Guard in May of 1970. Although this event didn’t stop the inevitable momentum toward change, it made us take a hard look at the consequences of poking the beast head-on. These days, when I hear the rhetoric of people like Josh Hawley and Tom Cotton and the words and actions of leaders like Greg Abbot and Ron DeSantis I wonder whether their ultimate goal is to provoke violence and fear in order to justify the suppression of all alternative points of view. Are they pushing for another Kent State massacre? Do they imagine that this strategy will work any better than it ever has? I guess if your ‘go to’ strategy is _God, Guns and Trump,_ there isn’t much of an alternaive.

I question whether these purveyors of fantasies of the past can presume to know, evaluate, or judge the motives of young people, whose entire living experience has born witness to the breakdown of those very illusions?

These students are the future, and the future will not be denied. Like we who grew up in the fifties and sixties, they see much more clearly how the world has changed than their parents who cling to the status quo. Ultimately, the young will prevail because they must. Like every human generation they have to grapple with the world as it is, and not as we wish it to be.

The catalyst for the current uprising on campuses is a costly war between nations and peoples who’ve made a long series of unfortunate political and strategic decisions that have lead into a death spiral of almost imprenetable anguish. Both sides in this war have dehumanized their opponents in order to justify horrific violence and the daily spectacle of unchecked slaughter. Both sides are committing violence against the rest of humanity, as the constant stream of images are in fact its extension. In such an ongoing ‘all or nothing’ conflict neither side will achieve the final resolution it desires, while each player appears willing to pull the entire world into the struggle.

Perhaps we can understand motivations on both sides of the war. Both see this as an existential struggle deeply rooted in generations of displacenent, appropriation and vengeance. But more than understanding is required to bring about a pause in the conflict. Concerned nations need to intercede forcefully to bring the violence to a halt. The Land of Palestine has long been a regional proxy for the very powers that both persecuted Jews and colonized the people of the Middle East and Africa, and for the forces that have risen in resistance to empire. All nations in the region and beyond share responsibility for the repercussions. America, as Israel’s ‘unconditional’ ally, has the biggest role to play.

Until the violence stops the protests will not stop, and attacking the institutions of higher education, firing college presidents or advocating military or police interference will most likely backfire. If conservatives have their way this internal conflict could escalate, and increasingly authoritarian measures could fuel even more destructive cycles of resistance and repression. History repeats, but it never goes backwards. The young, who grow frustrated with the refusal of governments to deal realistically with their concerns, will eventually inherit the earth and all of the powers that play upon it.

It was the eve of my 20th birthday. After the occupation we wandered back to the campus radio station, where Robert conducted a late night show playing eclectic music and recordings and where we had access to the Associated Press teletype and got the latest news of the day as it was being generated.

That evening a brand new album by Crosby, Stills, Nash and Young had just arrived, and we ended up playing the first song.’Carry On’ repeatedly, all through the night.

Rejoice, rejoice, we have no choice

But to carry on..

Halas

In the afternoons, following a day grappling with my high school insecurities, I’d stroll down the street from school to visit my friend Bill Halas at his home. Sometimes I’d bike over there in the evenings. Bill’s mother accepted me as an addition to a household that once included a husband and five older siblings. She and Bill, the latecomer, were both avid cooks and gardeners and active readers, sharing sophisticated tastes in music and art. Bill’s father passed away when he was very young, and when I met him his older siblings had long departed the household. Having an extraordinarily precocious and active mind his life had taken a rather solitary trajectory, his mother being the most reliable companion and sometimes his intellectual adversary. My own teenaged life was made unusual by the experience of being recruited for a special government program that took poor kids with high IQ’s out of their normal milieu and sent them to spend the summer living on college campuses. Our friendship flourished. Together we navigated the complexities of a rapidly changing world in the late 60’s, our bond growing from a shared sense of alienation and a drive for mutual discovery.

We met amidst a shifting cultural landscape with war, race riots, and assassinations unfolding in real time on our television screens. Popular culture was shifting radically from the segregated milieu of radio and the movies. Grasping for alternatives, we immersed ourselves in diverse music genres, from jazz to classical to experimental, and engaged in earnest discussions on philosophy and politics. We wandered the city smoking cigarettes rolled with pipe tobacco. We agreed and disagreed on everything. Sometimes we took his mother’s little Honda on road trips across the northern Ohio countryside, making up poetry inspired by highway signs (‘Pass With Care’).

I was the idealist and Bill was the purist, who took everything down to its roots. When I first met him he was experimenting with hydroponics. When he became interested in weaving he built his own loom and wove his own cloth and made his own hats. When he took up photography he began by studying its history, then building his own pinhole camera. Finally, he took up his brother’s old Nikon and developed the photos in his dad’s basement darkroom. My own nature was less grounded, tending toward the pursuit of imaginative utopian speculation and obscure strains of idealistic thinking. I felt compelled to understand the whole of everything, and very path I took led me down side roads, making it difficult to pursue a single course or become a model student.

Bill’s political awareness was way ahead of my own. He travelled to Chicago with his brother in 1968 to demonstrate at the Democratic convention and brought back photos and first hand accounts from the fringes of the police riot that we’d all watched on television. Later in our high school career we conspired with like minded friends to create an alternative journal that we mimeographed at the local anti-war office. We passed out leaflets and marched in circles chanting slogans in downtown Cleveland and attended meetings of a small radical organization led by a retired teacher and veteran of the Lincoln Brigade who fought in the Spanish Civil War.

888

Our friendship endured beyond high school as we pursued separate paths in college, delving into alternative communities and exploring the back-to-the-land movement. Bill’s quest for self-sufficiency and my search for spiritual revelation led us on distinct journeys. During those years in the early seventies everything everywhere was in flux and was being questioned, and for both of us the quest took us out of the proscribed path of college and career.

After we’d both left school we got together for a road trip east, tracking down old classmates and exploring alternative possibilities. We proceeded to Boston, where we met a friend of Bill on a sidewalk near Harvard Square. A large expansive figure closely resembling the British actor Peter Ustinov (with a beard), he sold carnations on the street, playing a concertina and disarming prospective customers with a performance that came right out of magical fairytales. We spent that evening at his lodgings in the attic of an unheated and condemned three story house in Roxbury. The next morning we crawled out of our sleeping bags to get breakfast at a nearby cafe. Our appetite for squalor satiated, we made our way out of the city and headed back to the Midwest.

Eventually, after making a long pilgrimage to the West I moved to Denver. Occasionally, while visiting my family back east I’d get together with Bill and he’d demonstrate for me whatever new endeavor had absorbed his interest. Over time these became increasingly esoteric even for my taste, involving dowsing and ley lines evidence for antedeluvian alien carvings left behind in rocks and boulders. He poured over old maps illustrating the mysterious energetic pathways determining the placing of streets and structures in small towns all over Ohio.

Our contacts dwindled over the years, and the last I heard from Bill was through letters filled with further interpretations of ancient artifacts and faces found in the rocks. I’d heard he was in contact with the Edgar Cayce people in Virginia and intended to build his own private settlement on a plot of land that his brother owned in Vermont. After at a year of hearing nothing I found out from his mother that he’d fallen out of communication with everyone. In a last message to his older brother, Bill had mentioned spotting a brown bear on the plot of land. After months of trying to track down his whereabouts the family concluded that he’d disappeared without a trace. For the sake of closure they accepted that he’d probably been eaten by the bear.

I don’t know what really happened to Bill Halas. All I’m sure of is that

All I know is that we shared a moment in time, embarking on uncompromising journeys, determined to face the mysteries of the world, whether in the rocks, the forest, or the primal currents beneath.”

Trial

I just imbibed two healthy pints of Scotch Ale, a small handful of psychedelic mushrooms and a chunk of potent marijuana brownie…while printing 32 greeting cards so that I can replenish my rack at the grocery store and contribute to my gasoline fund for future trips into the present.

I’m hoping that some combination of the above will somehow blast me out of a sense of helplessness in the face of all the craziness and suffering, although I know it’s not really my responsibility and that I’ve done my part to advance this whole contraption…

I’ve been watching VICE NEWS documentaries looking into the darkest corners of the world, watching ‘Severance’ and ‘The Man Who Fell To Earth’, reading a Jonathan Franzen novel about a Christian youth group and reliving so many moments in the deep past in order to write about them, and writing about them, and wondering if this voluntary isolation from all the world matters anything at all.

I can only bear witness:

“This happened…this is what I felt.”

There are moments

There are moments

Hough – 1966

I stand on the corner of Euclid and Liberty, the University at my back, the edges of the ghetto across the street and about a block away, the rotating flashes of cop cars at a blockaded intersection. It’s a little past the curfew, but I’d been pulled by some compulsion to come this way and have a look.

I participate in a summer college prep program that’s part of the president’s ‘War On Poverty’. Two nights ago, returning from a concert in the suburbs with a small group of students and counselors, we found the lights around the dormitories and in the courtyards mysteriously dark. The dorm entrances were locked, and everything was weirdly quiet. When we banged on the doors to be let in, a counselor furtively appeared and breathlessly asked us where we’d been. Someone earlier had heard gunfire at the edges of the campus and everyone had gotten quiet and had hunkered down in their rooms. Coming inside, we found the lights inside the hallways and in the stairwells also extinguished. So we hustled into the elevator and took it up to the second floor. When I started down the hallway toward the open door of my corner room, I saw that a couple of people were sitting on the desk and gazing out through the wide window. As I approached, I realized that the whole horizon of the city appeared to be on fire. The people in my room, friends of mine, had families living in those neighborhoods that were on fire.

The next few days were strange, as if we were living in a war zone. One evening we sat on a balcony, watching National Guard convoys streaming out from the college into the neighborhoods. Earlier in the day they’d descended from the armory up the heights and set up camp in the sports field next to the dorms. As darkness fell they proceeded, guns at the ready, from the wealthy halls of learning out into communities seen as epicenters of unrest. I’d begun to look at the architecture and arrangement of University buildings as a literal fortress against the poor. Troops and supplies were channelled down a wide highway into the campus. The university was like an island of higher learning, with the upper middle class heights at it’s back, surrounded on three sides by the ghetto.

Earlier today I watched a Guardsman playing Gershwin on a grand piano, in the student Union.

Tonight I have to be a witness, so I walk right up to the borders of a frontier, where the stores are closed and everything is tense, but quiet, in the aftermath of a receding wave of explosive anger. I can sense that there’ll be more waves, perhaps many more, to come. Given our history, maybe in 50 years the geography will have shifted, but we may still be under siege. At this moment, I stand in the shadows, on a quiet corner, watching a scene of roadblocks and paranoia, wondering whether its safe to cross the street.

Cleveland

Robert, campus shaman, student of medicine and law, late night DJ, always scruffy and aromatic, with lank and greasy looking hair and patchy beard, wears like a primitive vest the fuzzy unzipped liner of his trench coat. He stands behind me, holding a pair of wooden shoe trees, one in each hand, occasionally rattling them imperiously. We are thirteen stories up, on the roof of Robert’s dormitory, surveying a landscape of lit up buildings and the strange activity below. A group of our friends are wandering in a group that gathers to sit in a circle on a concrete plaza between the fountain and the lights. They’ve taken to howling like a pack of wolves.

A week ago we sat down during rush hour in the middle of the busy street that bisected the University, protesting the war. More than a hundred students joined us. Traffic stopped, the police arrived, and we spent hours being chased across the campus lawns, dodging cops on horses and clouds of tear gas. That evening Robert and I ran ahead of a mass gathering of demonstrators at the Student Union, to post ourselves on either side of a stairway leading into the ROTC building. As we sat awaiting the impending march, the president of the University and a coterie of deans and professors, having been roused from their evening cocktails, approached the stairs and asked us who we were. We dutifully replied that we were “Gargoyles”. The bewildered clique of administrators and elite instructors retreated, just ahead of the mob of students that soon arrived to occupy the building. As the excitement subsided and the party began, Robert and I walked over to his gig in the basement of the student radio station. All night we played ‘Carry On’, the first song on a new release by Crosby, Stills and Nash…”Carry On, Love Is Coming To Us All…”

This week ‘Students for a Democratic Society’ are in town for a national conference, organizing against the Vietnam war. A slew of delegates have arrived to share space in the dorms and make use of various classrooms and student facilities for councils and teach-ins. In advance of and perhaps in preparation for their arrival, the campus is awash with a plentiful supply and variety of cannabis and psychedelic product. When evening arrives, for the first time ever a general state of paranoia has vanished, towels as smoke barriers are removed from under doors, all doors are thrown open, music and parties flourish everywhere. Thus a great anti-war gala and political convention is launched.

Withdrawing from the celebrations, I retreat to my dormitory room, having ingested a quantity of LSD. I feel the need to be apart from the company of others while being launching into this chemically triggered revery. When I enter the dark room, all is quiet and empty and reassuring. Before I can take another step, the calm and familiar voice of Timothy Leary breaks the silence. It issues from the speakers on my stereo that I’d earlier left tuned to the campus ‘underground’ FM station. The voice sad, “Sit down Ralph”.

Frozen in motion and completely astounded, I obediently sit on the edge of the bed near the door, and listen.

The good ‘Doctor Tim’ takes me on an amazing guided tour of my own nervous system, the surrounding universe and the whole history of evolution that leads to the miracle of my human DNA. As he speaks my mind is gently and relentlessly forced to open, in stages. I hitch a ride, from the perspective of our amoebic ancestors, through the unwinding narrative of the evolution of my brain, on to a transcendent vision of a common destiny that’s beyond all space and time. The whole time, out of time, I hardly move a muscle, sitting on the edge of the bed as the story unfolds. Finally I’m talked gently into a safe landing, back in the room I’ve never left, and in the present dimension.

I carried the puzzled surprise and synchronicity of that evening in my imagination for many years. At times I questioned whether the experience was just an elaborately constructed hallucination. Otherwise I viewed it as some kind of unexplainable and secret initiation. Decades later I came across the account of an early psychedelic session, guided and taped by Timothy Leary with one of his grad students at Harvard. The student’s name happened to be Ralph Metzner. Mystery solved?

Colorado

Hitchhiking across the deserts and plains of the southwest, between California and Utah, I’m stranded in a small town with a growing band of fellow travelers. We’ve stood around for hours, having left Salt Lake City going east, descending on the other side of the Wasatch Mountains into a community at a crossroad for tourist and trailer park families. As our numbers keep growing it becomes increasingly unlikely that anyone in middle America will stop for a scary looking gaggle of long-haired young people.

Fortunately there’s a U-Haul agency in town. Someone has the inspiration to pass a hat, in which is collected enough cash to rent a truck, big enough to hold us all, pay for gas, and pick up a few stragglers along the way. We load up and cruise through the night, across the sage covered flats of western Colorado. We finally arrive in the early morning at Granby Reservoir, near the base of the high Rocky Mountains, where a growing campsite of wanderers gather for their walk up mountain trails to the site of the first Rainbow Gathering.

Negotiations have commenced with nervous ranchers and farmers that have set up a roadblock on the road between this camp and our destination. With the help of a sympathetic rancher the barrier is dismantled and we’re able to complete this last short stretch in our pilgrimage. We’re ferried by school bus up a dirt road, from the outskirts of the small town of Granby to the borders of national parkland. A steep winding trail leads us up to a wide meadow that borders a small alpine lake, surrounded by pine forests and overlooked by snow covered peaks. Strawberry Lake. A banner stretched across the final leg of the trail welcomes us “Home”, to this temporary collective refuge in the wilderness. Pilgrims arrive from all directions, most of them escaping the cities in this crazy nation with its crazy politics and prejudices, after years of frustrating struggle in the political trenches. We were looking for some better way forward, or maybe some kind of magic to manifest in the natural world.

I take off along a narrow trail that skirts the edge of the valley, hauling my rucksack and heavy sleeping bag, looking for the perfect spot to set down. In my pack are copies of the first Whole Earth Catalog and the Oxford Annotated Edition of the Bible. I walk beneath pine forests swaying in summer breezes, listening to the soft whisper that carries the sound of not so distant drumming, and the scent of community cooking fires. Finally I come upon an inviting patch of level earth beneath a sheltering tree. The ground is flat and covered with a carpet of pine needles, a little elevated from the path. I decide this is my place, and lay out my sleeping bag and pack. Carefully collecting small pine cones, I place them in a border around the space and outline a welcoming path to enter for anyone who might pass by. I’ve claimed the spot as my own magical circle in the wilderness. All are invited to share.

For hours I sit, listening to the constant sound of drums that come from clearings around the meadow, were people gather for food, conversation and rest. Through the treetops I can see distant snowfields just below the mountain peaks that loom above. Where I come from there aren’t any mountains, except in movies and fairytales. After absorbing the awesome landscape for a bit, I walk down a path that continues to the center of the meadow and the shore of the lake. A council, made up of whoever chooses to attend, gathers continually to tell stories of their journeys, to relate prophecies and mystical visions, and to discuss plans for the days and the ceremonies ahead.

We are dreamers who grew up in the shadow of violence, wishing for a better future. Many like me, had been to the Woodstock Festival or something like it. We’d witnessed the sheer power of our collective will, for better and worse. We hoped that here in the wild, away from the electricity and the crowds and the dependent delusions of civilization, we might encounter some revelation to guide us forward on a path toward some sort of universal peace.

On the last day we gathered in wide prayer circles on top of a high plateau that had been sacred to the displaced people who once lived here. I stood in a wide circle, surrounded by all of these mountains, and hundreds of people praying or chanting or being silent. We were all are waiting for a sign. In the middle of a moment of collective silence, the voice of a single person interrupts. The voice comes from a tall dark man with a shaved head and an incredibly open smile. He’s wearing saffron colored robes, his accent is rather thick, and his presence suggests simultaneously calm wisdom and innocence. For many, the voice is a rude interruption. For others it’s a guide.

For me, I came to realize in the years that followed, it was the sign.

Orlando

We arrive on a special flight from Denver to Orlando to attend the event, on a plot surrounded by Florida forest, a couple of miles from Disneyworld. We work in a community grocery store run by Divine Light Mission, an organization built to spread the words of our teacher and master. To keep the store running during the week long celebration, a skeleton crew is left behind during the first half of the event. We tend the shelves and counters and listen in the evening to the talks and music broadcast across a short wave connection in a downstairs office. For the final days we’re brought across the country to fully take part in the festivities.

The first morning after arrival I’m assigned the duty of porta-potty supervision and sanitation. By late afternoon I’m switched to service in the darshan tunnel, where I attach gardenia blossoms to the silky blue fabric of the walls. Through this fragrant space each one of the thousands of devotees will walk, to receive a moment of attention at the feet of the teacher. From toilets to tunnel is a journey of a few yards that feels like a journey between dimensions.

The Florida weather is clear and immaculate, an occasional bird or butterfly drifting overhead in light warm currents that carry the scent of ocean air. I sit in a grassy field next to a row of my traveling companions, at the front of an audience of several thousand people. On stage before us is a colorful throne surrounded by flowers and framed by cascades of cloth drapery. Just below the front of the platform a small band of amplified musicians sings and plays a mixture of devotional tunes, interweaving elements of American folk and rock with Indian themes. Everything harmonizes in this soundtrack for a large summer celebration.

The music weaves a rapturous spell over the crowd. A vacant field is transformed into a village, in a corner of heaven. From nothing we built a small community in a matter of days, with campsites, showers, latrines and international kitchens. A multicultured army of people that spoke every language on earth, shared a common will, to celebrate life and love together and have an opportunity to be with the one who brought us together.

In the afternoon we sit, entranced in a state of near ecstasy and expectation, until the teacher, dressed in a ceremonial costume evoking a Hindu deity, steps from behind the drapes and takes his seat upon the throne. As the band launches into an electric version of an ancient hymn, he beams down at his audience, like a rock star overseeing adoring fans. Suddenly, a young woman, dressed in a colorful sari, stands up from our row at front and center, and begins to dance. As she gracefully sways to the music, her arms in the air above her head, the colors she wears swirling around her, the teacher stands in resplendent grace, and begins himself to dance.

In that moment for me the time stops, the birds and butterflies for an instant are frozen in flight, and the sunlight and breezes pause in expectant silence. All of my attention is carried by the dance, and all of time and space stops as witness, and there is no separation between anything that exists in the world.

Idaho

The child held her hand as they cross the road in the middle of the valley. Where I stand, at the edge of a forest where the highway begins to climb on its way toward more distant heights, the wide alpine valley is in full view. In its center is a row of buildings along the strip, tiny in the distance. There are the resort cabins where we sleep, beside them a restaurant and convenience store, all perched above a meadow bordering a meandering creek. Across the asphalt what passes for a village includes a widely scattered collection of residences, a real estate office and a clinic. Behind the town and clinic is a small lake bordered by wide pastures, that eventually ascend to the edges of forests which sweep in graceful steps upward toward the distant Sawtooth Mountains, arrayed in sharp display against an endless sky.

The woman and child below are my wife and four year old son. They cross the road to climb a short path toward the clinic. Having come down with a mild but persistent cough that afternoon, and having a history of asthma, my wife decided to take him to the doctor for a cautionary checkup. Meanwhile, I take this short walk in the hour before dinner.

Before I come to the edge of the tall trees on the top of the ridge, while I watch my young family below, so exposed amid this enormous vista of primitive majesty, when my sense of time and space is suspended. Beneath these vast mountain skies, in the shadow of these mountains, I feel something within me expanding far beyond the usual boundaries of affection. For a moment my feelings embrace it all; people, mountains, valley, stream and village. More than at any previous moment in my life, everything I witness is enveloped within a boundless atmosphere of love.

Then I turn again toward the trail, and that feeling is lost to the winds.

Black

Living in the middle of a White Sea
I apologize to John Mike Thom Daryl Sonia Jamal Ken
Nicolle Tameka Jolene Diane Erika Barclay
Malcolm Shirley Joshua Sergia Nathaniel
so many more

To all those who succeeded
Who got to their goal
Because they were brilliant and creative
and got lucky
And those who didn’t
And those who died going under
While I didn’t do anything special
floating in a world of white dreams
white luck white privilege
without trying
Because I could
Because I am
Because I’m lucky
I am sorry so sorry
You were my friends
I allowed myself to be pulled away
and lost you
I forgot your names
but remember your faces
Now I live on a mostly white Island
Far away from you
Your streets your beautiful homes
Your inviting arms and spaces
I don’t know how to return

The night I drank too much ‘Orange Flip’
and threw up in your basement
on your mothers dress
You drove me back
To my house on the West Side
The white side
Where it was dangerous
for black boys to be seen
we were boys
so brave
You left me on the front lawn
Because it was after dark
Now I know that you were afraid

The women used to run their hands
through my hair
amazed at how light and fine it was
I would offer it now
toward reparations

Endless Grief

Grief is an ocean. It comes to us in waves, every wave possessing a different character and momentum. This is an ocean we all live in from the moment of our birth. The grief of a child is easy to see; in growing up we learn to hide our grief beneath an endless variety of disguises. We weep, we are depressed, we stare at the walls or create art. Some of us learn to project our grief on others in the form of hatred and prejudice. Some of us seek redemption through power and influence. Some become saints and some become monsters.

We’re often told that we can ‘get through it,’ and once we manage to do so the grief will no longer dominate our lives.

I can locate two points in my life where the waves peaked. I was torn between total numbing withdrawal and the painful and cathartic release of the deepest pain. My freedom from the struggle came in the act of unrestrained weeping. Both events were in response to the loss of someone very close and dear to me, one was mostly due to my own regrettable choices and one was a suicide.

This past year I spent mostly in bed or on the couch fighting the onset of cancer (if ‘fighting’ is the proper word). My main occupation, besides taking drugs for sleep and pain, finding new ways to eat, and showing up for chemo, was reading esoteric fiction and Doctor Strange comic books going back to the early sixties. I watched old Star Trek episodes on Netflix and made cannabis tea. My strategy in dealing with the loss of function was partly nostalgic and partly a form of pure escape. It stifled the sense of passing time that was leading me toward some mysterious ending.

I was given a reprieve. Time returned me from a state of suspended possibilities, bringing me new opportunities for choices and a chance to reflect upon my interrupted journey. Release from work and the need to meet schedules set by others put me on a bridge between regret and hopefulness. I’d survived for now but had lost a degree of functionality. It left me with no certainty about where I was headed or where I wanted to land.

It left me reeling between feelings of almost absolute freedom and a deep conviction of failure and incompetence. When I finally arose from my time upon the couch, I faced an altered world. The peak of the worldwide pandemic coincided with the height of my own illness. Everything was changed. The undercurrents of grief and anger had risen to the surface. Everyone appeared to be traumatized in some way. Businesses were closed; streets were full of the homeless and hospitals full of the dying. Nearly everyone now is masked in public, while hidden emotions and collective resentments force their way toward the surface. Politics have split the nation into warring factions, to a degree that the basis of trust that makes a functioning society possible is seriously, and perhaps irrevocably, frayed.

Grief appears to be everywhere.

In spite of all of this I forced myself to climb out of the hole of indecision and aimlessness that had ruled my existence through a year of trauma. I resumed the discipline of sitting every morning in meditation, observing my mind in a mirror. I witnessed the ghosts and demons of repetitive patterns that carry me through both hope and despair. Gradually my life regained a sense of direction and purpose that informed my daily routine of waking, sitting, reading, listening to podcasts while making breakfast, then making the time to write or to practice photography. A feeling of freedom began to ascend over thoughts of self-hatred and despair.

In the ocean in which we swim only change is certain.

A couple of weeks ago I opened a series of doorways into computer hell. I automatically upgraded my computer to the latest operating system software without thinking very much about it. After the upgrade the application in which I did the organizing, processing and printing of my photographs simply ceased to function. Nothing I tried solved the problem. No help was available from either the software provider or the computer maker. The advice of these massive corporations was to wait a month or two until they managed to coordinate with one another.

My forward motion was brought fully to a halt as I spent many hours desperately seeking help online. Instructions provided by people having similar problems not only didn’t work, but their results forced me to take the whole mess to a professional technician. He first encountered the same problems I did, but eventually a workaround was found that not only cost me a lot of cash, but also led to the irrecoverable loss of a good chunk of historical data.

I found myself once again floundering in the waves. I felt incompetent and helpless, angry and depressed in turn. I couldn’t find the inspiration to write while obsessing on the problem. My feelings began to bleed into my relationship with the world of other people. Friends who could see my distress offered well-meaning advice, and the advice was angrily rejected. I felt that I was on my own, that there was no help to be had, that every choice I made led to worse problems. My anger was petty and mean and an expression of accumulated grief for the loss of relationships, the community of work, my bodily functions, and as much as anything the loss of the world I’d grown accustomed to living in.

I’m now in recovery mode, sorting through this relatively minor wreckage, and yet I feel some kinship with those who experience the aftermath of flooding, fires, earthquakes and economic collapse and have to rebuild their lives from the ground up. Although small in comparison, my problems evoke reactions based on far more than the event in itself. I carry with me the sense of everything I’ve personally lost and gained, as well as the victories and losses experienced by people all around me.

In the West we worship our individuality as if it were a Holy Grail, but it’s mostly a fiction. As much as we isolate ourselves and our feelings from others, we are inescapably social beings who share together both joy and pain, immersed in the currents that surround us.

Here I stew alone in my ‘laboratory’, surrounded by computers, camera, iPhone and streaming television, struggling to find my own voice through all of this. The place is small, two rooms with a kitchen alcove and a tiny bathroom. Every move in the past decade has seen me downsizing, sorting through every object that has a story, deciding which to let go. There’s little room in here to live in the past, so I’m forced to live somewhat ruthlessly in the present. Although I stay up on the affairs of my country and of the world, I’m growing more of a protective shell to separate my feelings from the emotional maelstroms provoked by our collective struggles. I often fail. The struggles continue and will never end, but their weight is never mine to carry alone.

Loss is a given, grief is forever, and I swim in the same ocean as all of you. We can’t stop the storms that are coming, but maybe we can learn to swim with the tides.

“Have at it”

From the NYTimes:
”Legal experts say that broad provisions given to the federal government and the public health emergency caused by the coronavirus could ultimately protect against legal challenges. Jennifer Shinall, a law professor at Vanderbilt University, said in an interview that the mandate for federal workers is almost certain to encounter lawsuits, but these are likely to fail.
As long as there are provisions for workers not healthy enough to get the vaccine and probably to some extent religious accommodations,” Ms. Shinall said, “I think that the legal challenges fail.”


From Ron Chernow’s book on ‘Washington:
”Washington felt powerless to stop this sometimes-ludicrous barrage of falsehoods. Owing to “party disputes,” he complained to Pickering, the “truth is so enveloped in mist and false representations that it is extremely difficult to know through what channel to seek it.” Washington was especially pleased when his ex-treasury secretary (Hamilton) launched a lengthy series of essays under the signature of ‘Camille,’ providing a detailed defense of the Jay Treaty. Washington gave way to gloomy musings about republicans government, viewing his Republican opponents as full of passionate intensity – “always working, like bees, to distill their poison” – while government supporters were either cowed or spineless, trusting too much to the good sense of the people.


Again, from the NYTimes:
”Mr. Biden had anticipated the attacks. In announcing his plan on Thursday, he said that he would do what he could to “require more Americans to be vaccinated to combat those blocking public health,” adding “If those governors won’t help us beat the pandemic, I will use my power as president to get them out of the way.”


My own comment:
This is like the ‘Whiskey Rebellion’, a test of the powers of the Federal government. We are either one country or we are not, one community or merely competing factions. Perhaps it’s time to find out. While we fight the rest of the world moves on.


What do you think?

Arclist.com

______________________________________________
“Only under the stresses of total social emergencies do the effectively adequate alternative technical strategies synergetically emerge.” – Buckminster Fuller

Klick!! Klack!!

Milwaukee Art Museum

Listen to the sound of tree limbs clashing deep in the primeval forest. ‘Klick!’ – It’s Doctor Strange on the offense, striving – ‘Klack!’ – to drive off the nefarious mystical spell castings of Baron von Mordo. My brother and me among the giant virgin pines in a Pennsylvania forest in 1963, acting out our favorite comic book fantasies as our parents set up our overnight camp. In those days we played at adventure and wandered magical worlds that are always open to imaginative travelers and children. Our family roamed the highways from Cleveland and the Midwest, circling the Great Lakes into Canada and driving south to Florida and east to Maine and the coast and along Appalachian ridges. We stopped at ocean beaches, floated in ‘glass bottom boats’ among the Everglades, gazed across rural landscapes from high mountain perches, peered up at the tall canyons of Manhattan and took in the futuristic wonders of the New York World’s Fair in 1965.

Growing up in the shadow of World War, I remember military aircraft flying in formation over the neighborhood when I was very young. Every Sunday we drove past an enormous parking lot filled with surplus tanks parked in the General Motors lot on our way to church. The weeks were punctuated by air raid sirens and school was interrupted by ‘duck and cover’ drills designed to stimulate the vivid nightmares of those of us who could contemplate the final fate of humankind.

An older boy who lived down the block kept pigeons in a coop on his upstairs back porch. The pigeons would circle over our houses every day. We kept a turtle in the back yard that our grandparents brought back from the road on one of their exotic yearly trips to California. This was before the Interstates were built, and the turtles were found crossing the two lane highways that made America interesting. In the winter the turtle would dig a hole in its little enclosure in which to hibernate. Every spring we anxiously awaited the resurfacing, coaxing the displaced beast with offerings of earthworms. Sometimes the turtle wouldn’t appear and that year our grandparents would bring us another.

My mother told me stories late in life about my very early childhood as an infant caught in the midst of a rivalry for attention between her and my grandmother, her mother-in-law. I carry almost no conscious recollections from those very early days when my parents shared a house with my grandparents. I have one dim memory of being pushed in a baby carriage by a very nice young woman who was my babysitter. She died of leukemia when still a teenager. Perhaps this was my first taste of grief. It could be that my mother only told me these stories in dreams. Maybe I’ve mixed up her stories with those of other relatives who are long gone.

The house I remember growing up in was located in an older part of town across the street from my great grandmother’s large corner dwelling. I spent hours upstairs in her kitchen, drinking coffee tempered with evaporated milk, listening to her tales of coming to America from the old country with her brothers early in the century. They opened a butcher shop in the neighborhood, when that part of the city was still mostly rural, the streets mostly dirt, yet to be covered in red bricks and later with asphalt when I was a teenager. There was still a butcher shop on the corner downstairs in the front of the large house, run by another family at the time. The large back yard was full of fruit trees and flower beds that my family would help her maintain. Just outside of the second story kitchen windows was a cherry tree that became the centerpiece of every summer when we climbed and picked the ripe and sour cherries. My younger brother fell from it one year and broke his leg, spending the remainder of that summer as an invalid perched in a bed that was set in our narrow downstairs dining room.

When I’ve gone back recently to visit the old neighborhood our old house still stands, in the very center of the block, slightly raised above the neighbors, and incredibly small. It’s hard to believe that four kids and two adults occupied that space for so many years, while my mother dreamed of the suburbs and argued with my father, who always hesitated, not one to take chances risks. Only after I had moved on into my independent life and my father died of lung cancer did my mother finally make the move that she dreamed of.


An Oldsmobile Vista Cruiser careens through the night along the rural roads of northern Ohio carrying three boys, almost men, probably stoned or drunk on something, composing poems out of the romantic words on road signs; “Pass With Care”, “Soft Shoulders”, “Narrow Curves.” The car was borrowed from someone’s parents. With the windows wide open and the moist breezes of northern forests wafting over us, we exulted in our futures and the promising scents of freedom and all things that grow.

I left home with a cloth sleeping bag slung by a rope over my shoulders, on my back my uncle’s old Korean War rucksack, the ‘Whole Earth Catalog’ and an ‘Oxford Annotated Bible’ from my college years, a change of clothes and a few sandwiches and provisions stuffed inside. I’d spent three and a half years at a prestigious institution (Case Western Reserve University), learning much and experiencing much during years of upheaval (1968-1972) and finally left after my number came up late in the lottery for the draft. The experiences I had were mostly outside of classes that were interesting but appeared rather irrelevant at the time.

I said farewell to my mother (my father was at work) and walked down to the embankment alongside the brand new interstate. (As a teenager I’d watched it tear through my neighborhood several years before. We’d watched the bulldozers turn my best friend’s house into a pile of broken pieces, set fires to excavated piles of discarded brush, fought snow battles in abandoned dwellings, stalked and vandalized the huge road builders in the middle of the night.) I put out my thumb and was subsequently propelled across the whole wide land, to Colorado and California and up the West Coast through to Oregon and Washington to Canada, across the Rockies and the great wide flat northern plains and along the pebble beaches of Lake Michigan and back toward Cleveland. (My dad drove out from Cleveland to meet me and we had a glass of wine together in Ann Arbor. Between that meeting and my later departure toward the beaches of Florida I felt our connection deepen as we had grown beyond our frequent ideological conflicts over the war and he had come to acknowledge me as an adult.) I was young during my travels and learned very little, but I took it all in with a feeling of constant awe, collecting inside of me a map of memories, of North America and so many of the people that drift within it.


After all of these travels and all of these adventures, where have I arrived? Who and what am I exactly? Where do I live in relation to the boundaries between order and chaos? Am I descended from the sweet young boy that I see in an old picture feeding the gentle deer at a petting zoo? Am I the instigator of plots to vandalize the enormous machines that cut their way through my neighborhood to build the Interstate? Am I the respectful Zen practitioner bowing before his teacher, or the smartass student telling the President of the University approaching a student occupied ROTC building that I was a ‘gargoyle’ guarding the doors? Do I prefer to wander along the edges of civilization where artists and pirates, nomads, shamans and assassins are created?

I passionately defend what I believe in but hold all beliefs lightly. I welcome the challenge of argument. I’ve always been a terrible student, unable to stick with a specific teacher or any specialized program for very long. My mind is both expansive and contrarian, drawn to whatever knowledge threatens to challenge the prevailing view. Learning for me is a labor to fit what is novel into the larger pattern of what is known. Having found an accommodation between them my intellect has to move on. I’m open to all possibilities and apply equal amounts of skepticism and belief to anything that opens the doors to new encounters. I absolutely won’t tolerate the tunnel vision that substitutes repetitive memes of ideology for actual thinking and I avoid such as I would a reeking mound of decaying garbage.

I’ve been called ‘narcissistic.’ Perhaps anyone who parades their thoughts in public is a bit narcissistic, presuming to believe that anyone else would be interested in them. In a world of so much diversity and argument one has to be a bit narcissistic in order to call attention to oneself.

I’ve also been accused of being terribly judgmental and even intolerant. I believe that the good of the whole transcends the good of the few, but that the few have the absolute right to speak and I have the absolute right not to listen. I can’t decide for others the difference between right and wrong, true and false, sense and nonsense, but I reserve the right to exclude from my presence those who insist on unquestionable absolutes.

Also true is that I possess an undercurrent of terrible anger, passed down to me through generations of injustice, unkindness and the undercurrents of loving abuse. My primary struggle in this life is against being governed by the rage, instead using it as a barometer that fuels a kind of hypersensitivity and compulsion to expose the undercurrents of lies and tension encountered in the environment around me. This has lead to the most profound progress and the deepest damages in my life. It’s a catalyst that moves me from states of stasis to states of movement and change. For those around me and the collectives and organizations in which I participate it uncovers the cauldron, and my passion provides some of the fire and the heat.


My most influential teachers have been the cities I’ve lived in. Cleveland taught me that I could swim against the strongest tides of family, of religious and societal expectations, of powerful and destructive establishments, of accepted reality itself. In Cleveland I first walked through the doors of perception to glimpse the hidden schematics of the brain and its relation to the universe. Denver taught me about the irrefutable strength of collective will and how it can be activated, directed and abused by effective and charismatic voices. In Denver I learned about the secrets of leadership and it’s ability to channel the collective will. Since coming to Santa Fe I’ve learned to approach the world with a larger degree of skepticism and to examine every belief carefully before confusing it with ‘truth’.

In Santa Fe I’ve lived for 35 years, longer than anywhere else. Here all the previous lessons and teachings have coalesced, as I’ve been brought repeatedly face to face with myself and my shadows. Through two marriages, the raising of a child, my interaction with organizational structures both large and small, and in my most recent confrontations with cancer, disunity and extended solitude, I’ve come to view myself more clearly in all of my urgent creative and destructive glory. In the process I’ve gained and lost friends, loved and tormented myself and others, tasted the mechanics and powers of leadership and the dynamics of failure, and come to understand and accept the role I’m here to play.

Through all of this I’ve learned the deepest lesson of real magic; that it’s primary fuel is the human will. How, like the mysterious force of gravity it can bend and reshape the contours of the universe in strange and subtle ways. I’ve arrived after all these years at the boundaries of a world of perception that my comic book hero would find familiar.

Klick! Klack!>


In these days there’s a growing atmosphere that breeds bad mojo – bad magic born out of magical thinking, along with an army of con artists who thrive on fear and fantasy. It feels increasingly like the universe of Doctor Strange, where delusions and demonic forces constantly seek to break through and disrupt all sense of order, enslaving the populace to chaotic forces by encouraging their worst tendencies. In the process those whose greed for power compels them to pull the strings strive to gather more influence to themselves, using the maze of politics to entrap our best collective intentions.

I’ve long observed that the rules of our politics are almost identical to those of magic, both being forms of a somewhat occult practice of weaving spells of language intended to influence and manipulate perception and reality. The tools and technologies are the same, revolving around the language of signs and symbols, fueled by elements of human desire, collective will and the necessity of belief. Neither practice is inherently good or evil, although both magic and politics are concerned with an accumulation of power, and there are inherent dangers in such pursuit. The division between our intentions toward compassionate and self serving ends can become very cloudy when certain rules and cautions aren’t respected.

When battling demons or conjuring new possibilities it’s important to remember that no matter what we do or what we intend, the rule is that any consequences, intended or not, will inevitably come back to us. (This is the rule of karma.) It’s also important to realize that those around us, even our ‘enemies’, are mirrors, and we must strive to show them the same compassion we have for ourselves. It’s most important when exercising power to stay awake, to remember where we are and what is our intention. Aside from these three, all other rules are subject to change at any time and it’s a wild and utterly changeable reality out there.

Ultimately the barriers to our imagination and our creativity will continue to be thrown open. The more they open the faster we must collectively adapt to the changes entailed by new technologies and new ways of thinking and perceiving. I’m optimistic that we will ultimately succeed and survive, only because we always have up to this point.

Meanwhile we drift, moving across worlds of fantasy through the outer space of our imaginations, with David Bowie’s song ‘Life On Mars’ rising behind us, the cold star-flecked blue screen backgrounds making us feel contained within a dark velvet sparkling blanket of the infinite. We travel through imaginary light-years, our sense of security wrapped and belted within capsuled contraptions, religions, ideologies and conspiracy theories, breathing through failing apparatus, imagining new colors and new planets in the dark. At this point we require more than a destination. We need redemption and forgiveness for one another. I know there’s better light far ahead, but I don’t know what remains to be seen. When truth has been abandoned to illusion its anyone’s guess what will survive when daylight comes.


Evolution never passes at a familiarly comfortable rate. The entire world can leap forward in an instant, or else changes take decades and centuries longer than human memory can track. If my great grandmother, who told me stories over the kitchen table, were transported to the present a good part of her sensory apparatus would no doubt go into shock, able only to process small quantities of totally unfamiliar data at a time.

Evolution doesn’t stop for us or for any other part of this ever changing universe, or for anything on this infinitesimal pebble we call the earth. Energy becomes matter, matter becomes atoms and atoms molecules. Molecules evolve to become the elements and elements combine to become life. Life goes through billions of years of creation and extinction, followed by resurrection, and so it goes, over and again. Evolution in matter becomes evolution in biology, plants and creatures emerge out of the earth and perish in amazing spectacles of life, struggling through extremes of hot and cold and countless changes.

Various proposals have been made for the start date of a geological epoch called the Anthropocene, which marks the significant impact of human culture on geologic ecosystems. Some proposals date this as far back as 12 – 16,000 years and the birth of agriculture, and others to the rise of the industrial revolution in the last century. I believe both of these views to be extremely short sighted.

About six million years ago, at the end of the Miocene, heading toward the ice ages, appear the hominins, our most ancient biological tribe, largely defined by the length of our legs being greater than that of our arms as we began to walk upright. While the biosphere was coming to resemble what exists today our ancestors struggled to come to terms with their expanding brains until, age after age, we arrived in our present form of homo sapien around 315,000 years ago, and evolution at long last crossed a critical threshold. While biological evolution proceeded in obscure niches and mostly through extinction, life entered a new phase, one that can no longer be adequately comprehended outside of the mental space of the self-reflective human mind.

Human beings have taken evolution in a new direction, possibly beginning with the emergence of the first tribes and the creation of the first cultural artifacts. When we began to shape the objects around us to reflect the images that appeared in our minds, we moved beyond the instinctive collectivity of the insect colony, the herd and the protective hunting community and began to consciously and deliberately reshape the world around us in our own image. Human evolution can’t be understood in strictly biological terms, for it occurs within the complex interface between the self-conscious individual and the ever changing forms of the collective. Humans are artisans of culture.

What’s become evident in our time is the pervasive effect of our evolutionary process on the atmospheric and geologic environment that surrounds us. It’s becoming obvious that human culture is now the dominant influence in the ecosphere, as our collective decision making largely determines what will perish and what will survive on our world. We are the caretakers and the destroyers. The dialogue between the individual and the collective has come to fully govern the dialogue between human civilization and the natural world. In the end, nature itself becomes, in effect, a human artifact.

Evolution is generally depicted in visual models as a vertical structure, where simplicity advances through complexity, leading to ‘higher’ developments along a continuum of molecules, organisms, species, etc. The focus of evolutionary theory in biology is on the structure and development viewed through the lens of individual organisms or species. Human evolution is no longer determined by individual divergence and biological mutation, but by collective structures and behaviors in which the uniqueness of the individual can’t be separated from the circumstances and influences of the social construct of which they are a part. The visual depiction of this structure could be more appropriately horizontal, characterized by recurring themes that arise periodically along a timeline, then disappear, only to arise again and again amid novel historical contexts, their ‘permanent’ influence determined by the qualities of the interchange and the impressions left in a particular time and place.

There is a quality of ‘eternal return’ in the unfolding of human societies. It’s as if the species is on a quest to replicate externally hidden structures already present in human consciousness in order to perfect them within the contexts of ever new levels of social organization. In light of this I recommend pulling back from the insanities of the present to take a long view toward the possible future.

We are stardust

We are golden

And we’ve got to get ourselves

Back to the garden.

⁃ ‘Woodstock’ Joni Mitchell


MEDITATION

I talk too much.

With my words I’ve drawn a circle around myself.

It’s like a noose, and it tightens, defining who it is that I think I am, and who I think that others are.

More and more is excluded as the circle draws in, draws closer, becomes more defined.

What is inside the circle becomes frozen as what is outside is excluded.

What is lost, what can no longer find an entrance, is compassion.

Without compassion I sit in my circle of pain, disappointment, anger, and watch as the light in the world fades.

The others are like distant candles, allowed to grow faint, to waver, and soon they are extinguished.

I am alone. I can no longer serve this world that is drowning in pain. The pain has become my own.

My words having turned to dust, I look out at the devastation helplessly.

Turning within (there is nowhere else to turn),I find beneath the ice and ashes a light that endures.

The subtle glow that remains, no matter how tight the noose, how deep the darkness, responds to my attention.

I give to the light, my eyes, my breath, my senses, my thoughts, and it begins to grow, turning the ice to flame and the ashes to earth.

The circle is never broken. It grows wider, bringing more of the world inside itself.

Like a starved vessel the circle fills with long abandoned hopes, forgiveness, atonement.

Soon perhaps I will be a able to look upon my enemies, those who out of fear have sealed themselves away, and feel something beyond my own fear, my own hatred and defensiveness.

Perhaps the biggest miracle is to witness a change within my own circle of attention, from contempt to compassion.

This is my challenge.

Can’t Get You Out Of My Head

Reflections On The Work Of Adam Curtis

Adam Curtis considers his films to be strictly journalism. 

Having unlimited access to the vast archives of the BBC library, Curtis snips and cuts the myriad fragments of visual history to arrange them around themes guided by his own narrative and analysis. To relegate these works to the narrow field of conventional reporting would be to entirely miss their import and effect. The subjects of his films dive deeply into the wilderness of inherent contradictions between reality and the artificial reproductions of reality, between fact and imagination, between linear narrative and memory, and the many ways we rearrange our perceptions of reality to serve our own agendas. His most recent work, the six part series titled Can’t Get You Out Of My Head focuses on the dialectic between historical and psychological forces that drive individuals into increased feelings of isolation and helplessness and the barriers to effective collective action.

The emotional power of well selected images poised in sharp juxtaposition has been  explored as long ago as in the montage techniques pioneered by early filmmakers like Sergei Eisenstein. The use of montage takes us out of the illusory realms of objectivity and well into the territory of ideological expression. Directors like Jean Luc Godard and the ‘underground’ filmmakers of the sixties made radical use of the technique to purposely challenge the conventions of narrative film. While their work was perceived at the time as radical, our immersion in the frenetic medium of television makes them appear prophetic. The rapid disorienting shift between scenarios, the intrusion of seemingly unrelated sequences in commercials and the use of sound as compliment and contrast has increased our ability to shift attention rapidly from one image to another without loosing the narrative thread. Adam Curtis takes advantage of the growing sophistication of our visual language while pushing the form further with each successive work, encouraging us to take larger leaps along with him.

(My favorite film makers of the sixties were the French New Wave’director Jean Luc Goddard and the English director, Nicholas Roeg. Being a contrarian by nature I was always thrilled at the premier of a Godard film on my college campus and particularly pleased when a third to half of the audience walked out in bewilderment or disgust. This I deemed an indication of the film’s success. Both Godard and Roeg used techniques of radical montage to pit direct and sometimes disjointed, emotionally charged images against the linear revelations of plot. Godard went the farthest, often rejecting the very structure of ‘beginning, middle and end’ in films like 2 Or 3 Things I Know About Her, Sympathy For The Devil and See You At Mao. Nicholas Roeg managed to corral these techniques into challenging narratives interrupted by out of synch and out of time sequences taking the viewer out of the linear present into realms of memory, imagination and pure emotion. His use of popular musical icons as actors in films like Performance and The Man Who Fell To Earth became immensely popular with the psychedelic generation. 

At least since 1992 with Pandora’s Box, followed by the more ambitious Century Of The Self and into the present Adam Curtis has employed montage with increasing ambition to deliver films that offer historical analysis along with imagery that comes across with devastating emotional impact. To Curtis the purpose of journalism is not merely to report, but to explain. His method is to distill and arrange out of the many sounds and images of a given historical period a presentation of coherent themes that persuade the viewer that his interpretation matches the reality. Journalism in this sense is the art of persuasion. 

Human beings are addicted to narrative. If presented with a random set of images our minds will eventually assemble them into stories. If we stare at a wall long enough our minds will weave narratives out of the imperfections in the paint. This is a key to the methods of psychological testing that is critiqued in much of Curtis’ work. Ironically perhaps, it’s the key to his own art and his approach to journalism. When the reporter in a war zone decides to point the lens of their camera they are continually selecting the elements of their own narrative. When Adam Curtis wades through the BBC archives the images he selects are made to fit the preconceived patterns of a story he wishes to tell. 

Episode four of his most recent work is titled ‘But what if the people are stupid.’ It’s primary theme is how our disillusionment with institutions born out of the emphasis on individualism in the sixties and seventies morphed into a retreat into nationalism in the eighties and nineties. Curtis pulls together accounts that range widely across the period, from the unsuccessful coup of the Gang Of Four in China to the somewhat tragic life of a transexual pioneer in England, the rise of Al Queda in Iraq, disappointment in the wake of the Live Aid effort and events that led to the crushing of protests in Tiananmen Square. All of these events are bracketed by accounts of psychological experiments carried on by Daniel Kahneman in the seventies leading to the thesis that people’s choices aren’t made primarily on a rational basis but are determined by their previous experiences and how they effect the deeper, mostly subconscious structures in the brain. By focusing on the personal dilemmas and contradictions faced by particular individuals against a backdrop of massive social movements Curtis dramatizes a specific and worldwide shift in our collective experience serving to frustrate our ability to organize coherent resistance to the growing power of elites. This sets us up for the next episode, ‘The Lordly Ones’, which explores the comforting national myths we construct to justify the blunders and atrocities carried out to maintain the rule of dominant capitalist elites over the rest of the world.

On the surface Curtis’ approach resembles that of an historian or archaeologist as much as that of a journalist. All are storytellers and agents of artifice, weaving our perceptions into coherent streams of interpretation and all deal with data fragments from moments gone by. The stories Adam Curtis chooses to tell center on the influence that modern psychology has  had on the manipulative techniques of advertising, the growth and dominance of consumerism, and most importantly the isolation of the individual in the shadow of the capitalist state, rendering concepts such as personal freedom and choice almost entirely irrelevant.

We’ve become helpless as collective societies to effectively act to change our circumstances. Instead, our every activity is measured, tabulated and arranged in predictive models that serve to anticipate and then to manipulate our behaviors. Human behavior has been programmed into machinery that uses algorithms to further the power and wealth of economic elites. Only by breaking free of the conceptual prison of the techno-capitalist state can we even begin to imagine a future that meets actual human needs.

Perhaps we expect that journalism and documentary gives us a more accurate glimpse of the real and the true. What we should have learned in an age of propaganda, ‘fake news’ and the Internet is that in the selection and manipulation of images just about any version of ‘reality’ can be made to appear as truth. In the view of Adam Curtis the true value of journalism is to ‘make sense’ of the world in new and original ways that evolve continually with our continual appetite for the new. This is the only way that we can cast off the oppressive chains of the past. We might do well to make his revolution our own.


Thoughtmaybe.com for access to a full catalogue of Adam Curtis Documentaries and many other worthwhile films.


An outstanding interview with Adam Curtis at: Jacobin.com